Ayre K1X vs K1Xe


I own and love the K1X. I've had it for 3 or so years and have no itch to change. It was the most solid upgrade I've done to my system ever. I have tried lots of gear over the years and have really settled in with what I own now. If I learned anything with all the gear swapping I did was that usually you just get different sound not necessarily a better one.

That said I am curious to know what effect the E upgrade would have on my preamp. I'm not looking for just a little more air or extension but if I'm missing something important here I'd like to know.

Thanks, Ryan
ejlif

Showing 4 responses by kurt_tank

The upgrade is somewhat subtle, but definitely audible, (and well worth it, IMHO).

The primary reason for me upgrading to the evolution version was that it increases the output of the phono stage by 10 db (according to Charles Hansen). I can now use fairly low output cartridges with absolutely no background noise at all. (I use a Dynavector XV-1S - 0.3 mv output).

The secondary reason is that it slightly reduces the noise floor of the line stage itself. (It was already very, very low, and now it is virutally nonexistent, thus making this an incredibly transparent preamp).

I agree with you that the Ayre K-1x is an incredible preamp. Since I liked it so much, and figured I would live with this preamp for many years, (and I have!), it was inevitable that I would upgrade it to the K-1xe. I am glad that I did. (I have used the Ayre for close to 5 years now, and I am still happy with it, and see no reason to upgrade.) If I did upgrade, I know I'd have to spend a lot of money to get what I would consider to be an upgrade in sonics.)

Good Luck!
MMike84,

Glad to see you're upgrading the K-1x to a K-1xe!
You won't regret it, IMHO.

Regarding the 1o db additional gain that I mentioned:
Here is a link to a similiar thread on AudioAsylum from a couple years ago.

Similiar AudioAsylum Thread

As you can see, Charles Hansen states that the gain to the phono stage has been increased by 10db. This means that you can use lower output MC cartridges without having noise issues. I believe that means that since the maximium gain (in db) for the phono stage is now in the mid 70's, you could probably use any cartridge without worries about background noise issues.

As an example, a phono stages that only has a gain in the 55 db range, (for example the ARC PH-3, a good phono stage actually, as it preceeded my Ayre), can realistically only handle cartridges with a minimum output of 0.5 mv, give or take, or else the background noise can become objectionable. In fact, I used a Koetsu Rosewood Signature, and there was a bit of background noise, which ultimately lead me to upgrade my preamps. Whereas the Ayre can easily use lower output cartridges like the Dynavector XV-1S I currently use (0.3mv), or the Platinum Koetsus (0.2 mv) or even the Allaerts which only have an output of 0.1 mv (although my guess is that would tax virtually any phono stage!).

Feel free to ask me more questions if you have more.
Mmike,84,

Yes, I run my 0.3 mv output cart with 70 db of gain, although, if I could, I'd rather use about 65 db of gain.
60 db of gain would probably work, but just barely, IMHO.

With a cart with 0.5mv output, I would use about 60 db of gain, and with a 0.4 mv output, I'd use about 62 db. (But of course the Ayre does not allow that level of refinement to the gain stage, so I'd probably just go with 60 db.)

Okay, here is a link, which shows the bare minimum gain needed.

http://www.audioasylum.com/audio/vinyl/messages/27/271912.html

Personally, I agree with garth (see his subsequent response), that these figures are the bare minimum, and really it should increased by about another 3-6 db or so, depending upon the phono stage, or else the signal is either pushed to its limit, which limits dynamics, or it starts to increase the noise floor.

Plus the added benefit of having increased gain, is that you'll have less volume control difference between your sources. (And with the Ayre's rather complex volume control, I prefer to limit its use.)

As far as which resistor I used, I'll be honest and state it has been too long for me to remember which one I inserted. If you have any questions, I recommend that you call Michael at Ayre, 303-442-7300 x 233, as he is really helpful. (If you dislike talking on the phone, you can post a question to Charles Hansen over at Audio Asylum, (in the amp/preamp section), and he'll usually respond.)

Well, I hope I helped.
Good Luck!

PS If you're using a MC cartridge, make sure that your loading is set to about 100 ohms (versus the 50K ohms that a MM cartridge usually uses, and which the Ayre's default loading is set at, as I recall). Some MC cartridges like 1000 ohms, or something between the two, but I find 100 ohms to be a good place to start.
Mike,

Glad to see you went for it, and that you can appreciate the benefits of the "e" (evolution) upgrade.
I consider my K-1xe to be one of the cornerstones of my system, which means I doubt I will be upgrading beyond it for a long time, if ever!
:-)

That being said though.....

Don't you just long to hear the new Ayre KX-R preamp in your own system?!

I know I do!
But man, the $18,500 price tag is surely going to slow me down from getting it, as even used you can bet it will run around $14K for the next year or two.

And, since it does not have a phono stage, (I listen primarily to vinyl), that means that I'd end up having to spend money on a separate phono stage, and a cable to connect the two. (And since the phono stages I know I'd want to upgrade to, from the excellent Ayre phono boards, are both very expensive (Manley Steelhead or the ASR Basis Exclusive - both around $4K used), I doubt I will be upgrading anytime soon).

That would mean spending close to $20K on the new preamps. Ouch! (I spent $4K for my Ayre K-1x, and $500 to upgrade it to the 'e' version. Quite a bargain, IMHO!)

Oh well, I can dream!