Avalon Eidolon Diamond vs Revel Salon 2


A knowledgeable industry insider with zero affiliation says the Diamond is still the more musical. Revels fanfare in industry rags has been so overwhelming; can this possibly be true?
ptss

Showing 3 responses by siddh

My experiences with Avalon's...Ascent, Eidelon, Diamonds and Transcendent, are much more in line with Rushton. The set-up has been crucial. Subsequent to owning the Diamonds I heard a pair at an audio shop. Due to, what I believe was inadequate amplification and insufficient break-in, the Diamonds were outperformed by a pair of Arcus sharing the same electronics and space. The demo left me uninvolved, whereas, had I not already owned them, they would not have been up for consideration. I have heard these speakers offer a variety of audio characteristics from detail and pin-point imaging to a muddled, overly soft presentation; an anemic bass to a deep growling bottom end; huge exaggerated imaging to realistic venue depiction.
Experiences, such as these, have emphasized the need for less judgement of any individual audio product, especially at shows. Fine-tuning through ancillary equipment, tweaks and room placement often eke out more of any components potential.
Commenting on Audiogon threads have, more often, become a pissing contest, or possibly a venue for those with an agenda. I would like to iterate the responsibility of commentators making overall assessments upon any one piece of equipment. I have heard Wilson speakers sound amusical within certain systems and absolutely magical in another. This has held true with several other assembled systems.
Genesis, Vandersteen's, Proac's, Tidals, YG's MBL's, Aerial's, Spendor's, Green Mountain, Venture's... with each the experience has offered a distinct presentation. Associated equipment, including cabling and isolation, typically varied; and, of course the space and room differed.
These contestable fusses about what sounds more real...Magico or Rockport...or fill in the mfg. is too often foundationless. It is in line with judging the quality of a live performance by the sound quality of the room. I usher a number of shows each year, with the opportunity to roam the theater. As vantage points change, so does the sound quality. Often, the sound is unacceptable. Denouncing the performers, I believe is poorly directed.
My objective in responding to Bo1972 is in defense of a speaker, I know from experience, is capable of impressing both audiophiles and music lovers. I also believe this to be true of most high and mid end systems...if the effort is put forth.