ARC seems to have been on a course toward detail/resolution over the recent decade-ish. As a result, it does not surprise me that there will be some/many that prefer the earlier versions to the new versions. Personally, there are parts of the LS25I that I like better than the LS25II. I think this case is mostly having to do with the tubes used vs. major changes to the circuitry. These are personal issues or opinions and you are likely to get people strongly agreeing with you and those that strongly disagree with you. Neither is more right or wrong than the other - such comments are based on personal opinions.
Audio Research Reference Linestages
Just want to hear if anyone else have a similar experience that I do.
Some 8 years ago I bought my first ARC Ref linestage.
It was Ref2 mk2, which I first enjoyed very much, but soon I found the bass to be to close in the soundstage and the treble too far away which never allowed the soundstage to get really homogenous and create the real music event.
When comparing with a Conrad Johnson LS17 it was very easy to hear that Ref2 mk2 had some issues with it's soundstage.
But I'm a fan of ARC's high energy "big" sound so I bought a used Ref One (later model with Infinicaps and detachable powercord), and it easily beat Ref2 mk2 in every way.
There I had the perfect soundstage with great dynamics.
It simply sounded more complete and homogenous than Ref2 mk2. Still not the last air in the highest treble that C-J LS17 have, but the rest was much better with Ref One.
Recently I tried to replace my Ref One with Ref 3, but after 3 months I gave up.
I found Ref3 to lack dynamics and the perfect soundstage of my Ref One. It simply sounded less involving and a bit lame compared to my Ref One.
Anyone else that have kept their Ref One simply because the find it to sound better than later ARC Ref linestages ?
Some 8 years ago I bought my first ARC Ref linestage.
It was Ref2 mk2, which I first enjoyed very much, but soon I found the bass to be to close in the soundstage and the treble too far away which never allowed the soundstage to get really homogenous and create the real music event.
When comparing with a Conrad Johnson LS17 it was very easy to hear that Ref2 mk2 had some issues with it's soundstage.
But I'm a fan of ARC's high energy "big" sound so I bought a used Ref One (later model with Infinicaps and detachable powercord), and it easily beat Ref2 mk2 in every way.
There I had the perfect soundstage with great dynamics.
It simply sounded more complete and homogenous than Ref2 mk2. Still not the last air in the highest treble that C-J LS17 have, but the rest was much better with Ref One.
Recently I tried to replace my Ref One with Ref 3, but after 3 months I gave up.
I found Ref3 to lack dynamics and the perfect soundstage of my Ref One. It simply sounded less involving and a bit lame compared to my Ref One.
Anyone else that have kept their Ref One simply because the find it to sound better than later ARC Ref linestages ?