ATC SCM150 Amp and Preamp recommendations


Just received my ATC SCM150 passive speakers last week and looking for amplifier suggestions.

I have a large, well-treated room (45' x 16' x 8') and primarily listen to large-scale classical music — symphonies, piano concertos, cello works, etc.
For me, dynamics are critical, but so are toneinstrumental timbre, and harmonic richness.

Front-end setup:

  • Technics 1200G with Umami Red cartridge

  • Luxman EQ-500 phono stage

  • Aurender A100 streamer/DAC

So far, I’ve tried the following amplifiers:

  • Classe Delta Stereo + matching preamp: very polite sound, but too soft on top, poor bass control, slow and muddy low end, recessed midrange — overall unable to properly control the speakers.

  • Luxman L-595A SE: gorgeous microdynamics and a liquid, beautiful midrange; however, limited in dynamics and authority due to power constraints. No brightness !

  • Auris Fortissimo (tube amp): outstanding midrange and highs with a very holographic presentation, but again lacks bass energy and authority due to lower power output.

  • Luxman 507Z - way too bright for ATC, so assuming Luxman M10 will be just as bright 

Given these impressions, I'm now looking for a serious amp/preamp combination that can bring out the full potential of the SCM150s — maintaining musicality and tonal beauty but with the dynamic slam and control these speakers demand. 

Budget: ~$20-30k for amplification, ~$10-15k for a preamp (open to used market gear)
I'm also open to bi-amping if someone has successfully done it with the SCM150s.

Amplifiers I'm considering:

  • Electrocompaniet AW800

  • Simaudio Moon 861 monoblocks

  • Hegel H30 monoblocks

I'm also looking for preamp recommendations to pair with the above amps — ideally something that adds a touch of tube warmth and harmonic richness, but without softening transients or slowing down the dynamics.

Would love to hear from anyone with direct experience driving SCM150s, or who can recommend synergistic combinations that deliver both the dynamic authority and tonal sophistication I'm after. 

ei001h

Showing 6 responses by ei001h

@kofibaffour 
Thank you for the detailed response — I really appreciate it. I just wanted to mention that my close friend, who’s an experienced audio engineer and whose ears I trust, strongly dislikes pairing McIntosh with ATC. I used to own McIntosh gear myself and was never a fan of their house sound, so I’m hoping to avoid that direction.

 

To give you more context, I primarily listen to large-scale classical music at concert-level volumes, sitting about 10 feet from the speakers in an equilateral triangle setup. Based on ATC’s specifications (91 dB/1W/1m efficiency), I know that reaching sustained 100 dB levels with realistic transient peaks around 110 dB would demand close to 1000W of headroom — so amplifier stability under those conditions is critical for me.

 

I should also add that I’m not looking to pair a solid-state preamp with the system. I really enjoy the sound of tubes and would like to introduce a harmonically rich element into the chain, but without sacrificing speed, transient response, or overall control — especially given the demands of large-scale classical recordings.

 

I’m trying to find a solution that meets these dynamic requirements reliably while preserving tonal accuracy and musical realism.  

@lordmelton 

Thanks for sharing your setup — it sounds like a great pairing. The Titan is definitely a beast of an amp, and I completely agree that the ATCs seem to just soak up endless amounts of power without strain. That’s part of what makes them so special at realistic listening levels.

 

Out of curiosity, what other amps and preamps have you tried with your ATCs? Also, what kind of music do you typically listen to, and how loud do you usually play it? I’d love to hear more about what sound characteristics are most important to you — whether you’re prioritizing things like tonal richness, dynamics, speed, or imaging. And lastly, what’s your main media source — vinyl, CD, streaming, or a mix

@kofibaffour 

The fuse blowout you mentioned occurred under extreme laboratory conditions with continuous sine wave testing, far more demanding than normal music playback. In regular use, I assume,  the risk of this issue is minimal. Since I don’t plan to drive the AW 800 M at extreme power levels, and ATC speakers present an easy load, should I still be concerned about this? 

@maxwave 

 

Vinnie Rossi looks interesting — I wonder if a home audition might be possible. First, though, I need to secure some high-power monoblocks. 

It seems that high-power solid-state amplifiers are quite rare and extremely expensive when it comes to good quality equipment, and almost impossible to audition due to their size. I prefer not to buy blindly and risk paying a huge amount only to be disappointed. Converting to active is not an option — I could have purchased the active version, but I specifically chose passive in order to experiment with different amplification setups. At the moment, it appears I’m still limited to options like the Electrocompaniet AW800, Simaudio 861, and Hegel H30. Among tube amplifiers, Vinnie Rossi and Audio Research seem to be the most highly recommended for matching my tastes

Thanks for the advice. I already have two dedicated 20A lines installed — one for each amplifier. My interconnects are top-tier Nordost. Front end is a Luxman EQ-500 feeding an Umami Red cartridge on a Technics 1200G. At this point, all I need is an amplifier and a preamplifier. I’m not interested in anything under 800W/channel, and I’m definitely not interested in Class D designs