Thanks for the replies. sorry i haven't responded sooner but I've been out of town.
Hearing the amount of resonance in the arm it makes me wonder what would happen if the arm was completely dead (resonance wise). Im assuming that a cartridge is designed so that it dose not move and only the stylus moves, thus only receiving info from the groove and not the arm, bearings, plinth ect...?? If the arm is vibrating enough to here it, this must shake the cartridge at the same frequencies possibly conflicting with the same or other frequencies being picked up by the cartridge. Please correct me if im wrong! Would a sonically dead arm be a step forward or back?
(TWL) Following the thread on your “HIFI” mod my first thought was...... “well Duh”....that's a no brainier!!...Why didn't i think of that... Simple, elegant, cheep .... at least until you market it! ; ‘ ) and logical. Hats off to you and your ingenuity. Here is a question .... If i have the basic idea right, its all about increasing the moment of inertia in the lateral plane? Thus keeping the cartridge steadier and more resistance to groove influenced vibration, leaving the stylus to “wiggle” in a stable housing. All this insuring a more accurate picture of what is in the groove. Now what happens when the cartridge is “sinning” from arm resonance??. This has been on my mind for the last few weeks and i need help getting it out ... Im bet you have all done it before but go and put on a lp with a loud and complex passage ... turn off the sound and listen to that arm sing!!! Considering the lengths people go to eliminate the most subtle vibrations in the table/system this thing is just screaming with un controlled vibes!!
As for my Brubeck lp i’m going to learn to listen threw the groove noise with the idea that in time i will not here it any longer. If i can get to this point with this album then i will never need to clean another record as long as i live!!! ; ‘ )
Bill.......
Hearing the amount of resonance in the arm it makes me wonder what would happen if the arm was completely dead (resonance wise). Im assuming that a cartridge is designed so that it dose not move and only the stylus moves, thus only receiving info from the groove and not the arm, bearings, plinth ect...?? If the arm is vibrating enough to here it, this must shake the cartridge at the same frequencies possibly conflicting with the same or other frequencies being picked up by the cartridge. Please correct me if im wrong! Would a sonically dead arm be a step forward or back?
(TWL) Following the thread on your “HIFI” mod my first thought was...... “well Duh”....that's a no brainier!!...Why didn't i think of that... Simple, elegant, cheep .... at least until you market it! ; ‘ ) and logical. Hats off to you and your ingenuity. Here is a question .... If i have the basic idea right, its all about increasing the moment of inertia in the lateral plane? Thus keeping the cartridge steadier and more resistance to groove influenced vibration, leaving the stylus to “wiggle” in a stable housing. All this insuring a more accurate picture of what is in the groove. Now what happens when the cartridge is “sinning” from arm resonance??. This has been on my mind for the last few weeks and i need help getting it out ... Im bet you have all done it before but go and put on a lp with a loud and complex passage ... turn off the sound and listen to that arm sing!!! Considering the lengths people go to eliminate the most subtle vibrations in the table/system this thing is just screaming with un controlled vibes!!
As for my Brubeck lp i’m going to learn to listen threw the groove noise with the idea that in time i will not here it any longer. If i can get to this point with this album then i will never need to clean another record as long as i live!!! ; ‘ )
Bill.......