Are there any Violin or Cello players out there?



I was reading a thread and one member mentioned that he was a professional musician. I was wondering if there were any of you that play the Violin or Cello.

I found an interesting company that manufactures both. They are made from Carbon Fiber, are said to sound terrific and are cheap, when compared to the cost of a really good wood instrument. The company is Luis and Clark.

Has anyone heard of them?
sounds_real_audio

Showing 4 responses by guidocorona

"Carbon fiber is not a part of this musical alignment."

Interesting. . . why is it so?

Guido
It is worth considering that the majority of traditional wooden instruments past and present, like cellos, violins,etc. . . just sound very bad. However, as they have been made for so long, and there have been so many luthiers in history, there are a lot of excellent extant instruments in the morasse. The application of carbon fiber to the manufacturing of string instruments is fairly new and not yet wide spread. . . as the carbon instrument inventory grows, and related manufacturing techniques evolve, we will see more and more new technology instruments that pass high muster. Besides, new instruments need to broken in. . . sometimes for a couple of years before they sound their best. In the meantime, the question to ask is: given a certain semi-fixed budget, how does one get the sound sought after? a good carbon instrument, or perhaps a Goronok or something else? It will be a matter of personal taste. . . besides, like in audio there are means to optimize the sound of a cello. . . Some Perastro and larsen string are excellent for sweetening the sound. . . then there are different bows, bridges, tail pieces, end pins. . . and sound posts. . . they all make a significant difference. . . and it is no New Age mumbo-jumbo either. Sounds eerily and audiophilically familiar? G.
Ms. Choi seems to be a sad representative of the typical follower of New Age science 'curriculum'. . . If the ideal pine no longer can be found on the Northern slope of the Southern Alps, all she would need is to fell timber from slopes from the more Northern Alp ranges. . . besides, who said that there is no perfectly good pine outside the Great Alps region?
Stradivari and the old Cremonese masters limited themselves to Italian timber because the local supply was most available and least expensive. . . and that is why certain instruments by such luthiers as testori--and even Antonio Stradivari I so believe--featured backs made from supremely inexpensive poplar, which could be felled from their respective backyards. . . or just a few kilometers down the road, along the banks of the river Adda and Ticino.
But of course. . . New Age explanations have so much more Romantic alure. G.
Thank you Kijanki. My point exactly, I am sure that if needed, appropriately dense spruce could be sourced from as north as the Arctic circle. BTW, I stand corrected, the latin name of genus Picea used to fabricate the top of violins translates to the English term spruce, not pine as I erroneously implied above. Guido