Are "streamers" the new "transports"?


Have been following recent threads on streamers, DACs,etc. and wish to pose a question...

But, first, I would like to limit the discussion to just streamers and NOT DACs.
The analogy to which I seek clarity is the CD transport.

Assuming I have the same DAC (Chord Qutest) in use, will a "better" streamer measurably and audibly improve sound quality. If so, at what price/performance thresholds do you see?

Is it analogous to CD transports "5-10 years ago"?
Meaning, I could use:

1. Cheap Sony CDP ($200)
2. Oppo whatever model ($500)
3. Bel Canto transport ($1500)
4. Metronome or DCS ($5k+)

...and pass the signal to my DAC then to the amp. Now, as it relates to streaming...I could then...:

1. Use Apple TV or Chromecast then optical to DAC ($75)
2. Bluesound via Coax, Opt or USB to DAC ($500)
3. Lumin or Aurender ($2000)
4. Any crazy streamer that is $5K+

Sure, it's system dependent and only noticable if you have the ears and the gear for it.

But, my broader question: Outside if the "cost no object" gear ($5K+), is there a difference in the transmission of the digital signal that then creates SQ improvements via the SAME DAC?

If so, WHY?

Thanks.
ianrmack

Showing 2 responses by highpeakrider

I asked the question on this thread, the conclusion from the guy that did upgrade to Lumin was it’s a sideward step rather than huge improvement, I’m sticking with my Node 2i

Maybe most of the cost is software development rather than improvement in sound quality and maintaining the platform?

https://audiophilestyle.com/forums/topic/57656-node-2i-upgrade-lumin-or-auralic/page/2/#comments

I guess the value add is more bandwidth and less flaky connections if you have poor Wi-Fi, plus you can spend another fortune on audiophile routers and Ethernet cables or optical networks.