Are "listening to" or "listening with"


Many many years ago, like Steve Gutenberg, I worked in motion picture projection booths. First as a projectionist, then doing industrial and circuit board design for a competitor of Dolby's.

As a projectionist, avoiding film scratches, and dust, ensuring lamps were rotated and offering proper edge to edge lighting, not to mention sound quality were always on my mind.

To the point that I could not watch movies anymore. In a real sense, the age of digital film was a sweet relief to me. I had literally trained my eyes/brain/reward centers to scan for imperfections, identify them and then rush to fix them. I was no better a movie watcher than anyone else. In fact, I was poorer for it, as I lost sight of framing, pacing, arguments and story telling, let alone human interaction on the screen.

The point I wanted to make is too often as audiophiles we do ourselves a disservice. We start listening TO equipment, instead of listening to music WITH equipment.

As with anything, to your own tastes be true, buy what you like, but make these choices about listening TO or WITH conscious ones. Know that if you listen TO you have a tough time listening WITH. Please yourself, but know that you are hacking your brain when you listen TO gear, and that this hacking may or may not be that rewarding in the end.
erik_squires

Showing 1 response by oregonpapa

Eric ...

I have a friend who is a really good guitar player. He attended Berklee school of music to study guitar and the music end of film editing. After graduation, he worked in the film industry as an editor. He’s told me that it took years of being absent from the business before he could enjoy movies again. He was always criticizing the editing in his head and losing track of the film’s plot.

In the same vein, I have an audiophile buddy who spent years in the recording business. In spite of loving music, collecting music and listening to music, he always judges the recording first. I keep telling him that he’s missing out on lots of good music, but he says he can’t listen to good music on bad recordings.

Listening to equipment before listening to the music is something that I observe in this hobby. Never understood it. Isn’t the equipment supposed to get us closer to the music? Isn’t the music the end all ... the goal?

Frank