Are Harbeth the only warm and euphonic speakers in town ?


I've looked far and wide especially for bookshelf speakers with prominent full mids and a lush sound. So far the only name that comes up is harbeth. Maybe Sonus faber but are there other speakers that have similar tone but are made by a different company?

smodtactical

Showing 4 responses by mahgister

«Gear knowledge must be transformed in acoustic wisdom»-  An anonymus reformed reviewer 🧐

They are tons of relatively good speakers and from all speakers types out there...

Why?

Because it does not takes only a genius to relatively make good one, this technology is mature ...

Anybody focusing on his favorite "brand name" and who want to impose it for everybody and for all rooms with all piece of gear is wrong.... Why?

Because the room and the gear+ speakers are a "team" each one must be adapted to the other ....

And this is acoustic science methods which make us able to adapt speakers to a room and more importantly make us able to tune the room for specfic speakers and for our specific ears....

"Brand name fetichism" is only our personal taste at best, reflecting our own needs, and ignorance at worst ....

 

The real question then is not what brand name speakers will take me to heaven, but nevermind the speakers type and brand name i will choose , how will i make it working at his optimal level and how my room acoustic can serve this goal ...

I can assure you that there is no comparison at all between a speaker in a treated and mechanically controlled room , before it and after it.... No comparison at all.... it is night and day for any speakers of any types ...

Acoustic/psycho-acoustic rule ? Why ?

Because we hear sounds which dont come from the gear so much than from our head/room....

Recorded sound is an acoustic perpective trade-off set of choices CONVEYED by the gear but TRANSLATED in the acoustic perspective of our room by our 2 ears/ brain/head....

Reproduction is a misleading word here...

When you hear any sound source you translate the resonant body of this sound source in a complex set of variable INFORMATIONS , quantitative one but more importantly qualitative one... No set of electronical measures is able to explain that and certainly not few measures numbers of a specs sheets from some gear company or from measuring tools fetichists...

 

😁😊

 

 

 

I paid 50 buck for Vintage Mission Cyrus 781, not only a good mid frequencies timbre but a bass power over his scale price /S.Q. ratio... They fit on my big desk by the way...In an acoustically controlled small room they can compete with magnepan in a non controlled room bigger room ....

Yes i am lucky....

I will die with them.... I am in fear to try an upgrade to exceed them at relatively low price ....Mission impossible....

And paying arounf 6,000 canadian bucks for a probably improving Harbeth model is impossible for me...

😁😊

Dont forget that room acoustic is the key in audiophile experience not a brand name in speakers gear....Or a specialized "tweaks" ....

We wait for the time being for  the speakers technology that will nullify room specific  acoustic... Most of us are not there and i think this new technology is not on the market now...And if it is is not accessible for most of us now....I dont know...

And most headphones had their own limitations : the connected two shells vibrate like the gear did and there is acoustical negative properties of the shell like any room has his negative problems to be solved by acoustic control....And dont forget the electrical noise floor of the house affecting speakers and headphones...

 

My friend own Maggies...They are techically superior to my box speakers..

This is the good news...

The bad news is my room make mine better...

The room of my friend is not treated, uncontrolled and problematic on all acoustical counts...

This is why acoustic matter more than gear at the end...