There was an interview in last year's TAS analog issue with one of the major mastering engineers. He mentioned that the LP of a hi res digital master has an octave more info than the CD. I didn't completely understand this - perhaps referring to brickwall filtering?
Either the same article or another said most of the time the high res digital master is what is that engineer sends to the LP mastering session.
BUT - the big issue here is what kind of analog rig is it being played back on? I think you need to achieve a certain level of LP rig and setup to extract the most from LP without it's inherent limits.
Either the same article or another said most of the time the high res digital master is what is that engineer sends to the LP mastering session.
BUT - the big issue here is what kind of analog rig is it being played back on? I think you need to achieve a certain level of LP rig and setup to extract the most from LP without it's inherent limits.