Are Audiophiles Obsessive Nuts?

I can't say exactly what agenda Plasmatronic is selling, but there's plenty of truth in his statements. #1 - high end audio is aimed at obsessive people. Using myself as an example, I am totally obsessed with attaining high quality home music playback. #2 - subjective oriented magazines have strongly influenced the development of high end audio. Is there any doubt about the influence of Stereophile and TAS? #3 - manufacturers do make wild claims for their products. Every other product is claimed to be "reference", "signature" or "ultimate". I suspect that Plasma draws a different conclusion from the above obeservations, but I actually agree with them a factual representation of the audiophile community. The truth be told, high-end audio is full of dubious, poorly conceived and over priced products. The subjective listening process can give undo credibility to a few of these unworthy products, however, the best testiment to the subjective method is that overtime there has been significant progress in high-end audio reproduction.

Sometimes I feel like I'm trapped in two worlds. One of total enjoyment of my music and the system I've built and the other when I don't like the sound and it's time to change something. There have been times when I absolutely loved a performance by Cassandra Wilson and actually felt punch drunk when it was over and then there are times that she doesn't inspire me half as much. One minute I'm happy with the sound like the time when I had company over and everyone really enjoyed what came out of my system (including myself) and then there are times that I'm not moved at all. I finally decided to look at myself and listening practices more than I listen to my equipment because the changes were too frequent as far as how my music sounded to me. I also noticed that whenever I figured out which piece was the culprit I already knew in the back of my mind which pieces may be suitable to take the now failing piece of equipments place in my rack(reading too many reviews..maybe?). Recently, I challenged myself to start judging "songs" as they are presented and to learn to enjoy music for musics' sake as opposed to blaming my equipment for any lack of enjoyment that I may be experiencing. Although I do believe that I hear differences in many of the pieces of equipment that I've heard and owned, I truely believe that I've reached the point of deminishing returns and that aside from new speakers and tubes for my pre amp I'm pretty much set as far as hardware goes. I'm not sure where I'm going with this but I have to learn to differentiate between enjoying music "as is" and reviewing music through electronic gear. I wonder if the reason why I haven't connected to "Kind of Blue" by Miles is because I'm more interested with what I'm not hearing through my system as opposed to what the artist is feeling and putting out there. It doesn't have the full bodied texture that todays music has; is what I first said about the album which I own in fact, because deep down I believed that one day I would get what everyone loves about this album. The ultimate question for me to answer is can I learn to enjoy my music despite my components(percieved) short comings? Should I complain about a lack of attack or decay on an instrument on a live performance even though I wasn't there to hear it live in the first place? Is the piece still enjoyable? How much should I pay to get that attack or decay to the level of my standards? Is it to the standards of the rest of the audiophile community? What if my piece doesn't make it to the "Recommended Componenets List"? So here is where I reside. However, I've made a conscience effort to analyze my listening habits more than I analyze my equipment because if I can't enjoy music after investing $15,000 (that's plenty for me) than I guess music may not be my thing after all.

I got hooked into this hobbie twenty years ago without the money to really play and a major conflict of priorities with three samll children to raise. After twenty years, I am back. I have a technical degree, and after thirty years in the heavy construction business, significant hearing loss. My technical degree causes serious bouts of doubt about the value of Power cords and burning in cables. Despite all of this, I find myself awed by the difference a change in speaker cables or IC's have made to my recently constructed system. I almost threw away o pair of IC's that solved a brittleness problem because I didn't give them sufficient time to burn in!! Perhaps it has more to do with my awsome respect for things that I can never truly understand such as the artist or musician's creative abilities. This does not mean that I can not appreciate the results, only that I can not create them.

I am obsessive / compulsive to the MAX. I hear differences in every aspect of an audio system. In an attempt to understand the reasons for the differences I went to school and got a EE degree. All the profesors dismissed me as crazy because of the questions I ask them while in school. My experiance has lead me to believe that you can not learn in school how to design state of the art audio gear but without the schooling it would be difficult to design even a mid-fi piece. I am a LONG way from understanding all the interactions between gear but I know for a fact that the reviewers are not any better at telling me what is good for me than I am. My opinion about a piece of gear does not have to be 'approved' by anyone else.

Chris

Everthing is relative.Most of the really exotic stuff is hand built and built in rather small QTY.Thats the main reason some goods are so expensive.
A Pontiac Grand Prix will get you where your going.A Ferrari will get you there too.
If you can afford one over the other and precieve there is a value and premium to pay go for it.Same is true for Audio.