ARC's new REF-75


I read Paul Bolin's review of the new REF-75 in AudioBeat and was really taken by it. So, this past weekend I drove down to Newport Beach and attended The S.H.O.W. to take a listen. In spite of the room being a bit bright, I could clearly hear the advantages this amp offers.

The REF-75 is physically beautiful with a kind of retro look. Must have been the meters. I love the looks of this amp! I placed my hand on top of the amp and it was barely warm to the touch. It runs really cool in spite of not having fans. Another advantage ... no fans ... no fan noise.

Right off the bat, the REF-75 was so grain-less, it was simply amazing. The sound comes out of a perfectly black background and the inner detail is amazing with great decay on vocals and simple instrumentals. I love classical guitar and small jazz groups, so this is right up my alley. Vocals were amazingly clear and realistic as well because of the lack of grain. Separation of instruments is another VERY strong point of the REF-75, adding realism to orchestral music. Tonality is one of the first things I listen for ... and this amp is right up there with the best of the ARC amps, including the big REF Monos. The demonstration was made using Wilson Shasha speakers ... 87db, and the meters hardly moved at all even while listening to full orchestral music. The darned thing just coasted no matter what was thrown at it. So, dynamics are terrific ... the amp supposedly uses the same power supply as that in the REF-110, so that would account for the dynamics and particularly good bass punch and depth. Huge sound stage as well. Width, depth and height were more than expected ... in fact, huge in every way.

The REF-75 I listened to at the SHOW was a prototype, but based upon what I heard, I'm buying one later this month. I've owned and/or listened to a lot of ARC amps over the years, and I can say without reservations, that this is one of the very best amps ARC has ever done. The release date is toward the end of June and the retail price is scheduled to be $9,000.00 US. Oh, and if you own a REF-110 ... sell it quick!

As a further note, I visited the Optimal Enchantment room and auditioned the new ARC REF-250 mono blocks. Randy Cooley, the owner of Optimal Enchantment, had the system set up in a suite and really had the system/room dialed in. Randy always has a great demo and has an impeccable taste in music. What I heard in Randy's room this year was simply magic. It had me shaking my head in disbelief wondering how much more information could still be hiding in those record grooves. Was it better than what I heard in the room that demoed the REF-75? Ahem ... it was, after all, Randy Cooley's room. :>)
oregonpapa

Showing 3 responses by djanggo

"kent |kent|
past and past participle of ken .
ken |ken|
noun [in sing. ]
one's range of knowledge or sight : such determination is beyond my ken." ;)

Been down that road as well. Low powered/SET tubes Cary, Jadis, Kondo, and yes, a brief stint with Audion too (WE 300Bs on them being my favorite). Speakers among others then were Quad 57, 63, Tannoys, and AudioNote. What I'm trying to get to here is that there will always be trade offs. Never a system IME that will do all types of music as well and that would suit everyone at that. Condescending other brands whilst insisting your route is the only right route (well at least that exclusive 3% club) into attaining musical bliss is 'sorry' pure BS.

Don't own ARC Ref amps and have not heard the new REF75, but from frequent exposures at friends/dealers of their 150 and 250s, when everything is dialed in right, they could be highly musically rewarding and a noticeable steer away from past signatures of last decade or so when they did lots of hybrid stuffs, thus quite way off from your very negative descriptions of them.
213cobra thanks for taking the time, you have made some fair points. Good thing is that in this hobby, its like walking into an ice-cream parlor, everybody get to choose their flavors--no right, no wrong, no absolutes.