Aqua La Scala Optologic Mk2 on the cheap, used and sub $3000?


I’ve had a great time with a borrowed Aqua La Scala Optologic in my system. Played with the Antipodes CX / Ex combo (also borrowed) the sound was sublime, palpable and emotionally connected me to the music. Given the evolution of digital and the significant depreciation involved, I’m a real fan of used at the moment.

I picked up a good deal on a 1TB Innuos Zen MKiii. With my current Ayre Codex, it’s decent, but nowhere in the same league as the Aqua. The Aqua design appeals for a couple of other reasons:

1) I believe R2R is a better way forward on PCM, it just sounds right!
2) I’m heavily invested in high Rez (SACD) and I require that ability
3) I firmly believe the more you transform the bits, the more damage you can do the the SQ. Therefore I don’t want to have Roon convert DSD to PCM on the fly. For me, The DAC needs to handle DSD natively.

If it wasn’t for the DSD, a MHDT Orchid modded by Grannyring, or the Tubadour iii SE are highly regarded music makers and easy choices. What then with R2R and native DSD at a more economical used price point? (The La Scala sells for approximately $4k)

Sure there is the Aqua La Voice S3, for the $1000 less used, I’m told the La Scala is the better value in spite of the cost differential. Part of the cost of the Aqua line is on the ability of the boards to be upgraded, the other is labor costs in Italy verses the Orient. Too bad these other guys don’t offer DSD!

I’ve heard the Lampi Amber 3 might be a good choice, though I’ve also heard it’s a little more forward particularly with PCM. Getting the overall timbre color and tonality correct (the meat on the bones if you will) is really important to me, if the DAC gets this right, usually lesser recordings are more listenable. So what else is there?


ianderson

Showing 6 responses by nquery

@hudsonhawk You are right that most (delta sigma) chip based solutions would  converge pcm/DSD to a single bitstream at some point internally. And you are right that at the end of they day it's more about overall execution than technology. I used to be a stickler for the purity of R2R (chip or discrete ladder) but have since realized that there is more to it than that.

That said, there are some R2R dacs with separate paths for PCM vs native DSD that might meet the OP's goals. Lampi became first known with their dedicated DSD R2R dacs I believe. Some of the Denafrips R2R ladder Dacs do both PCM and DSD.  And the Holo Dacs most definitely have separate R2R ladder circuits for PCM vs DSD. I think this is one of their perceived values. And they allow for OS vs NOS modes as well - most prefer NOS. A discrete NOS R2R ladder DSD process would be as close to the pure DSD playback the OP is looking for. The new Holo May looks intriguing but starts at $3800.


I recently bought a new Amber 3 and absolutely love it. It is open, dynamic, palpable, and lifelike in its presentation. Maybe that would be seen as "forward" relative to something darker and relaxed but the overall presentation is just right in my opinion and I struggle to find any real weaknesses. I find it very friendly to lesser recordings (it’s paired with a LM SET amp and Spendor’s). The digital engine does everything from redbook to PCM hi-res to native DSD extremely well - I no longer have any desire to upsample in Roon or HQP. They have updated the USB module as well - it switches formats instantly and silently. Another thing I like is that Lampi always has upgrade paths when new versions come out - something important in the fast moving world of DAC’s.
The op clearly states he absolutely requires DSD support so the Mojo wouldn't work.
That said, op also desires R2R so the Amber doesn't fit that bill either.
Holo Spring 2 LIII DAC is R2R and does native dsd well and works best in NOS mode. (The new Holo May is above the price point and won't be found used for a while). I had considered it but ultimately decided I wanted a more open ("forward"?) sound than what I have ever heard from NOS R2R.
@three_easy_payments I haven’t heard the TRP so it might sound less forward than the Amber. But I am unclear how the TRP checks the R2R box? Correct me if I am wrong, but it is similarly DS chip based ?? And even bought used it is >> than op price point of $3k. (Not trying to be argumentative ... )

[EDIT: I now see that the early TRP was originally R2R but Lampi has sinced moved to the 53 Digital Engine for most of their lower end dacs. Is the consensus that the newer 53 digital engine sounds more forward than the prior R2R boards? Because from my reading it seems almost all who have heard both find the 53 chip board better sounding than the R2R board for PCM.
I do see an older R2R Atlantic TRP currently for sale for $4300)]
@grannyring the Mojo Audio Mystique V3 does not support DSD! it only supports PCM up to 192 ... the whole ethos is purist PCM and anti-dsd. You even referenced this yourself in another thread ... "The Lampi Amber 3 is more vivid than the Mojo or Orchid and with its DSD capability can sound more detailed and resolving."
With all due respect, the Mojo does not play DSD format and thus DSD recordings. For it to play DSD recordings, they need to be converted to PCM first by some external process, like Roon. To somehow keep suggesting that the Mojo does in fact play DSD recordings is twisting semantics beyond recognition.

Maybe you didn’t read the entire opening post, but it says "Therefore I don’t want to have Roon convert DSD to PCM on the fly. For me, The DAC needs to handle DSD natively.". The Mojo does not handle DSD natively. Why would the OP accumulate a large SACD collection just so they can convert it back to PCM for playback? It’s nonsensical.

As for quoting the other thread, I did read the thread and understand that you like the Mojo’s presentation better. No problem. But that quote was just to get to the point that you do already know that the Mojo does not play DSD. And I explicitly gave that context.

The Mojo may in fact sound 10x better than the Amber. That wasn’t my point. The point is that the OP specifically wants a DAC that supports DSD playback and you keep misleadingly suggesting that the Mojo does.