Anyone heard the MIT Oracle V2.2 spkr cbl upgrade?

First a disclaimer: I'm an MIT dealer -- actualy the ONLY dealer, other than that factory, authorized to sell the "dot2" series. So, I might be a little BIASED.

In the process of delivering a new pr of Oracle V2.2 WideBand to a long term friend/client, he allowed me to listen to them for a week while burning them in. IMHO, the V2.2 spkr cable has more in common, sonically, with the V1.1 than it does with the V2.1. In this design, Bruce Brisson has concentrated on the "you are there" aspect of holography. The V2.2 is more open and effortless-sounding than V2.1 and has a more authoritative bottom-end with better pitch definition -- similar to the V1.1 spkr cable. IF D.K. reads this, he might also like to share his experience.
Hope this helps,

Joe

Hi there,

I saw your post and couldn’t help responding. I sent my Oracle V3.1 speaker cables in for the V3.2 upgrade about six weeks ago. I was pretty impressed with the turn around time. I got my upgraded cables back in just 8 days from the time they left my house. What I noticed straight away when I plugged in my upgraded cables, was “more”, “more” everything. As they indicate in their advertising, It was like I had moved up to the 1st row at the show from the 10th. The detail, space between instruments, bass depth and clarity, were immediately astounding. The image now from my Martin Logan Statements is breath taking. This upgrade is probably some of the better money that I’ve thrown at my little obsession. Now I am also very curious to hear the V2.2’s.

Thanks for the information guys. I went ahead and sent my cables in for upgrade today. I’m already happy with the performance that I’m getting, so if there is at least a 15% improvement in performance, I’ll feel that it was worth it. I’ll post what happens here when I get them back.

I upgraded my V2.1's to the V2.2's through Joe Abrams. What a freakin mind bending transformation....completely immersive and enthralling, HUGE DYNAMIC ENVELOPE and tonality that is so DEAD ON it's frightening!! Complex passages under extreme current demands and tonal challenges are handled as if it were the real thing in your room...disarmingly great! If you care about music you mut get them.