Nicely summarised Jeff.
My additional thoughts are that despite increased micro resolution, this is not a forensic presentation, more a lifting of veils.
For me, the startling uptick going to my LPSd SG is lifelike speed at no compromise to tone density. This fast but full sound means a startlingly lifelike representation of pace and texture.
And timbral discrimination is right up there. Most critical in areas like massed strings and horns, jazz w dual horns, and differentiating the low registers on acoustic bass, piano and kick drum.
Yes, my enjoyment of jazz, string quartets, solo piano, big band and massed orchestral, are transformed.
My additional thoughts are that despite increased micro resolution, this is not a forensic presentation, more a lifting of veils.
For me, the startling uptick going to my LPSd SG is lifelike speed at no compromise to tone density. This fast but full sound means a startlingly lifelike representation of pace and texture.
And timbral discrimination is right up there. Most critical in areas like massed strings and horns, jazz w dual horns, and differentiating the low registers on acoustic bass, piano and kick drum.
Yes, my enjoyment of jazz, string quartets, solo piano, big band and massed orchestral, are transformed.