Up the thread a ways, in a reply to Essentialaudio (Brian Walsh), D edwards wrote:
"I cannot write an experience for you but no SoundLab is ever going to win an award for clarity, not with the reverb off the back wall (100% distortion)...",
I'd like to address that comment.
Twenty something years ago I held essentially the same opinion, but then my ears-on experiences as an amateur speaker builder didn't bear it out. Seems the ear doesn't always hear the way the mind reasons it should. So I spent many an hour in the public library poring through old audio engineering journals trying to gain a useful, if rudimentary, understanding of how the ear/brain system works.
Now for the record, we could certainly write a definition of distortion that would necessarily classify a dipole's backwave energy as "100% distortion", but our definition would be arbitrary and inconsistent with the psychophyisics of human sound perception. [Distortion perception is an area still being intensely researched by some of the top minds in psychoacoustics.]
To the ear, the backwave of a dipole is not 100% distortion; rather, it is reverberant field energy. If reverberant field energy were undesirable, concert halls and recital halls would resemble anechoic chambers (which they don't). As long as the reflections aren't too strong and distinct (diffusion helps here), you can have rich ambience and excellent clarity at the same time, as routinely demonstrated by live unamplified performances in good venues. SoundLabs are exceptionally good at getting the reverberant field right, something that live voices and instruments routinely do but few loudspeakers emulate. A spectrally correct reverberant field is conducive not only to natural timbre, but also long-term fatigue-free listening. I can explain why this is so if anyone is interested.
Also, note that a line source speaker like the SoundLabs generates a much higher ratio of direct to reflected sound energy at the listening position than does a typical direct-radiating point source speaker, even factoring in the backwave. This can be readily demonstrated by comparing the actual SPL measurements recorded at different distances with the predicted anechoic SPL, the difference being reverberant field contribution.
Arguments over subjective impressions are usually fruitless, but I will go on record as saying that in my opinion SoundLab electrostats have exceptionally good clarity and inner detail. Those who feel that a dealer's opinion can't possibly be sincere, discount mine accordingly. Apparently D edwards arrived at his negative assessment by reasoning rather than by first-hand experience. We all make assessments by reasoning things out to the best of our ability - there's nothing wrong with that approach, but in this case I think that his assumption regarding the effect of the speaker's backwave energy is incorrect.
Duke
