Anticables Review


Category: Cables

I need to preface this by saying I don't have what y'all would probably consider an "Audiophile" amp: An Onkyo 805 receiver. But it drives my Vandersteen 2ce sigs wonderfully (and in Pure Audio mode has no video circuitry on. I use Pure Audio (no time processing, no sub) for this comparison.

Ok so I got two pairs of Anticables from Paul. He shotgunned them to bananas on the amp end and put vintage spades on the other (biwired to the Vandys). My other cable is a set of Canare 4S11 star quad: hard-wired on the amp end with BJC spades on the speaker. My conclusion: I can only hope that others in this forum are correct in saying that AntiCables need 400 hours to break in. Right now, they sound thin, tinny, and very lacking in bass and overall stage depth. Putting the Canare back on, Jacqueline Dupre's cello once again sounds like a Strad (instead of a high school instrument), and the bass section sounds full and present (instead of weak and distant).

This comparison duplicates results across genres. For example Alison Kraus' Live SACD, the guitar strum sounds precise with the anticables, but very thin. With the Canare you can hear the string depth through the pick.

My next step is to clip off the spades and hard wire the AntiCables, as some have suggested. Will post an update if anyone's interested :) But for now I just wanted to voice my dissatisfaction thus far, and hope that this magnet wire I paid $200 for might somehow 'burn in' to match my $30 Canare 4S11.
kontrabass

Showing 3 responses by tgrisham

I wouldn't try it. You need electrical isolation from RFI and EMI, and the coating is too fragile. With the vibrations and movement of the car, it could short out and ruin all the electronics.
I actually prefer the Anti-cable speaker cables in my system, but I have never owned any cable > $200. With my Modwright tube pre-amp and Class D Bel Cantos amps, I appreciate clear, distinct sound without any coloration and I think that is what these cables provide. Research shows that the match between the amp and the speaker strongly determines the character of the sound and this is where the cable used is significant. No one can ever say, "this cable is the best" because few of us have the exact same amps and speaker combinations. Magazine reviews of cables are meaningless unless you have the same amps and speakers as the reviewer. I would never buy a cable unless it had a return policy or I could buy used to recoup my money if it didn't sound right. You don't know what it will sound like until you install it in your system. For what it's worth, I also use Canare 4S11, but like the Speltz more. I twist the + and - for the upper module and separate them for the lower module. It seems to sound better and i have no desire to change. Good luck in your quest for the perfect sound.
Kontrabass,

The aspect of bass reproduction that depends on different cables is illusory. There are too many factors in the perception of different frequencies, including the source, the amps and the speakers, and most importantly our minds. The science of psychoacoustics tells us that we adapt to sounds and our expectations are met by altering our perceptions. That said, these are fine cables and I believe present the true signal from amplifier to speaker. No "tone controls" with this wire. I don't doubt that there are differences in the "sound" of speaker cables, but pure copper wire in short lengths cannot be a bad thing, except if you sell expensive wire for a living!