Am I really smart or really stupid?


I would like your feedback on this theory. The glory days of vinyl to me, as far as high end hi-fi is concerned, were the late ‘60s, ‘70s and early ‘80s, before the dreaded CD made it’s appearance. Back then vinyl was all you had to work with, and the high end folks really needed to get it right.

My thinking is:

1. A phono section basically supplies RIAA equalization (unless there is boost for a low output cartridge). This is basically boosting the bass and cutting the treble to compensate for making the grooves relatively the same width to cut them on the vinyl.

2. This ain’t that big of a deal. It should not cost $3000.00 to do this. These people are trying to put their hand in my pocket.

3. Why not buy a high end preamp from that era, run your TT into it, come out of the Tape Out as a line stage into your preamp input.

4. I bought a Yamaha C-2 for 100 bucks, run my Linn into it and run it into my tube preamp and it “seems” fine.

Am I stupid or enlightened?

Thanks for your input.

jp
jake42

Showing 1 response by aroc

It's not that simple. Granted it *should* be that simple to just make a phono stage. You know some RIAA eq and some gain. But in reality it doesn't seem to pan out that way. Just look at the available phono stages and full fuction preamps. It seems to great care (and often great $$$) to make a good phono pre. It may have to do with the very low level signals that output from a phono cartridge. It is not trivial to amplify these. If it was, we would see giant killer phono stages for cheap. And alas we do not.

When you think about it, amplification in general appears to have been an extreme disappointment of the twentieth century. You'd think amplification would have been a "solved" problem by now. But no. :-(