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Air Tight PC-1 Coda and more options to upgrade my analog setup

There aren’t many reviews out there for the new Air Tight PC-1 Coda. I’m looking to upgrade my analog setup and it fits my budget and the overall reviews for the PC-1 are fantastic. Before anyone mentions it, yes I will be listening before I buy. I plan on listening to similar priced carts from Lyra, Kiseki, Koetsu, and more.

At the same time debating a phono preamp upgrade. Thinking about the Luxman EQ-500.

Current setup is Rega RP8 (waiting for the new P10 or P12), Ortofon Quintet Black cartridge, to Mytek Manhattan II w/ Phono stage, McIntosh C47, McIntosh MC452, B&W 802D3, with audioquest speaker cabling and ICs, and Nordost Frey 2 PCs. Room is quite well treated and rack is Symposium Osiris. Listening on vinyl is mainly 1955-1975, jazz, rock, and orchestral (Mahler, Strauss-not Beethoven or chamber). (Wider variety with Qobuz digital). Vinyl is all very high quality original or repressings.

Happy to hear any feedback on the setup. What am I looking for? A little more sparkle. Realism. Just more. Maybe a little more bass as well, as I’ve got the C47 set to push bass +3dB. (Tried a sub and it didn’t help in my space and prefer the overall sound of the floor standers by themselves). The system sounds amazing, I just want even more of this amazing. Thanks!
mayoradamwest

Showing 2 responses by uberwaltz

uberwaltz's avatar
uberwaltz
13,381 posts
 
I probably should have researched the Manhattan phono first too ... Lol.

It does seem as it should be fairly capable of holding its own until you hit serious phono stages and may let a better cartridge shine.

It's a tough world out there and trying to make the right decision both system wise and financial can be hard.

Of course you are always going to get conflicting opinions and views, human nature.

Good luck with the journey.
uberwaltz's avatar
uberwaltz
13,381 posts
 
I am unsure if the Manhattan built in phono is much superior to the lower offering Brooklyn or not?
I have to say the Brooklyn phono left me pretty cold, way to clinical and sterile and very tilted towards the top end of the spectrum.

It could not hold a candle to the Gold Note PH10 I had at the time ( note , I bought the Brooklyn for its DAC ability not the phono but obviously gave it a try out).

Now I am using a Manley Chinook SE tube phono which is a serious step up from the PH10.

I believe for  $2500 or less you can get a pretty serious upgrade on the phono stage side that will let you hear things from your present setup you did not know existed.

Just my musings.
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