Aesthetix Question


I am currently using a BAT VK31SE line stage and BAT VKP10 phono stage. These are a wonderful pair but I have to believe that elimination of the line stage would be a good thing for any system.

I see that Aesthetix puts an optional line input on their IO Phono stage with volume controls. This is fine for systems with only one other source such as CD or a Tuner. I happen to use both but if a significant improvement in sound can be obtained, I would be fine with one line input.

Here's the question: of the owners out there with this Aesthetix setup, how does it compare with other systems with separate line and phono stages? And for those that went with the Callisto and the IO, what made you decide on this pair vs only the IO with the above mentioned options? Surely the Callisto must add some additional noise or coloration or does it bring on other benefits that outweigh the weaknesses.

And one other question: for those that went with the Aesthetix with the options, did you also try the Manley Steelhead which has the same kind of benefits to not need a separate line stage?

Thank you for your comments/experiences.
jafox

Showing 1 response by logenn

I want to share my experiences and thank Albert Porter for spending time to help me evaluate my system and make some recommendations.

First: The Steelhead although very quiet, detailed and fast, in my system simply was not as musical as the IO Signature. Actually the difference was significant and on different types of music.

Second: Both the Steelhead and the Io have volume controls and I listened to each unit without a line stage with the notion, that I could run the unit directly into the amps and eliminate the expence of a costly line stage. No such luck, in both instances, I was forced to reinsert the Audio Research Line stage, because it added immediacy, a much larger soundstage that extended outside the perimeter of the speakers and a vitality or palpability to the music that was missing.

Third: Changing out the tubes in the IO, in my opinion was an added bonus. To be able to extract more performance from this unit at such a reasonable cost is a deal. Once again Albert's experience paid off.

When I assembled the system initially, I felt that it had the potential to sound very natural and at times a little like live music. The mods we made to the system, in my opinion advances this process.