Advent 201 tapedeck: Is good for a modern setup?


I just came across an Advent 201 in good working condition. It's famous for being the first true Hi-Fi tapedeck (an ancestor of the Nakamichi Dragon somehow), and some people even say that it "blows away" modern tape decks.

While it has a good reputation, I have doubts that it's suitable for my non-vintage setup. I do not have a tube amp, so having the sought-after Hi-Fi analog sound is probably not possible.

The #1 use of this deck will be to transfer my collection of old demo cassettes to digital archives. I want maximum playback quality, even if the tapes were dubbed on bad equipment or pro-duplicated at a cheap factory. It's possible that vintage equipment might not be right for the source or destination material. Any thoughts on this?

How would the playback quality compare to a modern tapedeck? This is the original 1971 design. While it supposedly has high-quality heads and a great drive mechanism, how might it compare to a 3-head Nakamichi for example? I expect that I will only need the included Dolby-B noise reduction since C tends to screw up DIY recordings in my experience.

(Stupid question: On multi-head tape decks, how many heads are used for playback?)

Either way, I think I'm gonna buy a copied manual to calibrate it properly. Before this, I was seeking out a Nakamichi and I'm really wondering if I'd be any better off. I like to learn as much as I can about audio, so I'd appreciate any input.
demogorgod4cc

Showing 1 response by 213cobra

OK, I have to correct some misinformation about the lineage of the Advent 201.

The Advent 201 was NOT made by Nakamichi. Advent's first deck, the deck that introduced Dolby + Cr02 tape, was the model 200. This was a Nakamichi-made deck with Advent-specified modifications to the basic Nakamichi electronics. The 200 was very compact. Another version was sold as the "Concord-Naka Z" and then as just "Concord" at the time. That Nakamichi transport had horrendous flutter, and wow wasn't so shy about showing itself either. Plus like all early Naka decks, reliability was all but absent.

Kloss took a beating from Model 200 customers, then went shopping for a more robust design on which to base his deck. He found it in the most rugged cassette recorder transport of the day -- Wollensak's manually-actuated 4000 series. It had a very robust, torquey motor, a strong frame, and very fine speed stability. Advent put low-noise electronics in it, including Dolby B + Cr02 tape and notwithstanding the misfire of the Model 200, the first true high-fidelity cassette deck was born. The Advent 201.

There's really no reason you can't use a 201 for cassette-to-digital transfer. A well-maintained 201 will have very competitive wow & flutter characteristics and the electronics are quite musical. With standard iron-oxide tapes, high end response rolls off rapidly above 13kHz. With Chromium Dioxide tape, performance can usably extend to 16kHz and then it fades fast.

Nakamichi decks, landmark designs as some are, generally are only really great when playing material recorded on Nakamichi decks. So if you're recording on Nak for Nak playback, fine. Otherwise, you're better off with a Tandberg TCD440A or 420A as an upgrade to the Advent. A Tandberg 300 series will be very similar to the 201, in sonics (including limitations).

The Pioneer CTF9500 and CTF1000 are great alternatives for what you want, and there were some very fine Denon, JVC and Aiwa (6900) top range decks in the early '80s before plastic content went up and everything went to hell in mechanicals. Also the ReVox cassette deck was quite good, but reliability wasn't what it should have been.

There was an Advent 201A, for which the major difference was , if I remember correctly, a Sendust head. If I recall correctly, the original head was Permalloy.

Phil