Speaker engineers, unlike audiophiles, are in no position to discount the advantages of active speakers. Andrew Jones tells us that in actives:
Each amplifier is matched to the driver, and only has to operate over a limited frequency range. It’s operating into a simpler impedance, so it’s not going to have high-current demands. Also, the temporal characteristics of music change with frequency. High frequencies require very little average power, but have a lot of peaks. Bass requires much higher average power, but has far fewer peaks. You can match the amplifier to those characteristics as well.
As a gesture to the audiophile penchant for experimentation, Jones’s ARB-5s forgo digital signal processing (DSP). He nevertheless acknowledges its advantages:
Plus DSP can adjust to a room’s particular acoustics; here both Kii and Dutch & Dutch are in the vanguard. And in all active speakers the specific frequencies for each specific driver “crossover” before amplification, yet another enhancement of audio design.
Other engineers echo these same points. Listen to Paul McGowan from PS Audio at 03:00, or Dynaudio’s Roland Hoffman at 03:20 and 13:06, or Meridian’s Bob Stuart. They all work for companies that sell passive speakers or equipment for them, but they all clearly favor the design opportunities found in actives.