Finally it's also worth noting that Frank Kuzma has also started selling these systems as well -- another convert to the cause
http://www.kuzma.si/zerovibe-6050p.html
http://www.kuzma.si/zerovibe-6050p.html
Active isolation; what can it do for music reproduction?
Finally it's also worth noting that Frank Kuzma has also started selling these systems as well -- another convert to the cause http://www.kuzma.si/zerovibe-6050p.html |
The power cords I initially tried were the generic one that came with it, a $2k SR Atmosphere UEF L3 and a $200 basic power cord that I forget who makes. It was actually the cheaper cord that worked best, the SR cords are perhaps a bit too “warm” for this application and something more on the fast/yin side seems a better match. I’ve since moved on to a $4k Marigo platinum cord with the external PSU and this is a great fit - anyway my point is that it’s not simply a matter of spending more but of looking for the right complement so experiment and see what works for you |
@mijosyyn -- re the effect it is "slap you in the face" obvious, not at all subtle. And this in the context of my TT that has a pretty effective inbuilt suspension, and was mounted on a very high end wall shelf. @bdp24 will provide an unbiased perspective ... so yes these things do have an effect. As to whether this is worth it for you I cannot answer but vibration control is in any sufficiently resolving system the prime route to continuing (increasing not diminishing returns btw) and my system employs a plethora of passive approaches as well as the one active stand described above. |
The effect of the Herzan isolation on my turntable is clearly shown in the data readouts that are part of my system description. You can see the motor induced vibration that the Herzan eliminates. This is a good example of how the sources of vibration can be many fold -- both external (seismic), system generated (acoustic feedback) and system generated (motor noise in this case). You can also see the LF external vibration as well. What is more tricky to describe is the effect of active isolation on vinyl replay. Many listeners actually initially prefer the sound with the isolation off. It can see more warm, more rose tinted, more euphonic and more pleasant. But all of this is in fact coloration. The Herzan strips all that away and actually makes my vinyl sound more like the best digital, cleaner and more distinct without that rosy glow. You quickly then begin to appreciate all of the extra details and subtleties that previously were disappearing into the goo. I also have the external Taiko PSUs and they have a profound additional impact -- as does also adding grounding blocks to the BNC socket on the back of the Herzan, and also paying attention to the power cord driving the system. @jbrrp1 have you at least tried a range of power cords on your Herzans? I found changes in power cord before I got the PSU to be very audible - actually the more expensive and "high end" cords didn't necessarily work best but getting the right one did make a good improvement. Finally as @mikelavigne has noted you do need to take care what you put these active systems on. My primary stands (GPA Monaco's on Apex footers) would not be a good fit at all and my turntable now is on a rigid Adona rack (previously it was on a GPA Brooklands wall shelf with the isolation overloaded to defeat it and make it suitably rigid -- this worked fine) |
How about you embrace the instability and go with the Townsend seismic platforms? These really work to decouple the speaker from the floor and from seismic interference. They were ideal with my old Magic Q3s. The Magico Mpods world the same trick but via constrained layer faking on my current speakers and don’t result in wobble which can seem offputting |