I have looked over what is available on 1/4 inch pre-recorded (high-def)
tapes and the selection is (still) very very small. Plus when i collected a few
tapes from the 60's and 70's off of EBAY like Columbia for ex. and had
to throw several of them away- the backing was too dried out, the edges
were feathered and didn't pass over the heads correctly, etc. It isn't the
money spent as much ($10-$25 each) but the aggravation this caused (plus having to clean the tape path thoroughly to make sure there was no tape
residue left behind). If you want a good machine you can get one for $1K or so, but you have to either make tapes from your vinyl collection or spend hundreds of dollars on a tiny selection of tape project titles or similar. I DO have a few decks that could be modified with better electronics, etc. but i need someone to make available a whole bunch of HD tapes for, let's say $100-$150/ea. to make it all worthwhile.
Maybe a modern-day Rudy Van Gelder will open a studio, assemble some jazz musicians, make a whole bunch of masters, and sell copies
at something like affordable prices. Until then, we wait...
Reference Recordings could "probably" embark on this kind of a project...
I had a Concord-220 when i was 12 years old and have had a R-to-Reel of some kind ever since- i am over 60 now. I made hundreds of tapes, compilations of
music i liked- off of FM radio, and then later off of vinyl. But that
ain't what we're talking about here, is it?
tapes and the selection is (still) very very small. Plus when i collected a few
tapes from the 60's and 70's off of EBAY like Columbia for ex. and had
to throw several of them away- the backing was too dried out, the edges
were feathered and didn't pass over the heads correctly, etc. It isn't the
money spent as much ($10-$25 each) but the aggravation this caused (plus having to clean the tape path thoroughly to make sure there was no tape
residue left behind). If you want a good machine you can get one for $1K or so, but you have to either make tapes from your vinyl collection or spend hundreds of dollars on a tiny selection of tape project titles or similar. I DO have a few decks that could be modified with better electronics, etc. but i need someone to make available a whole bunch of HD tapes for, let's say $100-$150/ea. to make it all worthwhile.
Maybe a modern-day Rudy Van Gelder will open a studio, assemble some jazz musicians, make a whole bunch of masters, and sell copies
at something like affordable prices. Until then, we wait...
Reference Recordings could "probably" embark on this kind of a project...
I had a Concord-220 when i was 12 years old and have had a R-to-Reel of some kind ever since- i am over 60 now. I made hundreds of tapes, compilations of
music i liked- off of FM radio, and then later off of vinyl. But that
ain't what we're talking about here, is it?