millercarbon. Like you, I do think that inaudible upper frequencies matter; however, I have a hypothetical question: Is it possible that we do not necessarily know that our brains perceive this, and could these frequencies be used for directional location, i.e. placement of instruments.
A full range speaker?
Many claim to be, but how many can handle a full orchestra’s range?
That range is from 26hz to around 12khz including harmonics, but the speakers that can go that low are few and far between. That is a shame, since the grand piano, one of the center points of many orchestral and symphonic performances, needs that lower range to produce a low A fully, however little that key is used.
I used to think it was 32hz, which would handle a Hammond B-3’s full keyboard, so cover most of the musical instruments range, but since having subs have realized how much I am missing without those going down to 25hz with no db’s down.
What would you set as the lower limit of music reproduction for a speaker to be called full range?
I’m asking you to consider that point where that measurement is -0db’s, which is always different from published spec's.
That range is from 26hz to around 12khz including harmonics, but the speakers that can go that low are few and far between. That is a shame, since the grand piano, one of the center points of many orchestral and symphonic performances, needs that lower range to produce a low A fully, however little that key is used.
I used to think it was 32hz, which would handle a Hammond B-3’s full keyboard, so cover most of the musical instruments range, but since having subs have realized how much I am missing without those going down to 25hz with no db’s down.
What would you set as the lower limit of music reproduction for a speaker to be called full range?
I’m asking you to consider that point where that measurement is -0db’s, which is always different from published spec's.