A few impressions from the CES/THE Shows


I went with a friend looking for speakers to replace his Beveridges; they currently operate but he feels one amp is dying (again) and that it’s time. Unfortunately, he STILL hasn’t found a speaker to love. He’s pointed toward high-efficiency designs based on so-called full-range drivers, so we looked at many of them in 2-and-two-half days. We simply didn’t bother listening to MOST speakers as they weren’t interesting.

My friend’s and my taste in speaker voicing is VERY similar and we agreed overall about every system we heard. Both of us need MORE than a ‘neutral’ amount of energy in the orchestra’s power region–those 3 or so octaves from c. 100 to 800Hz–and we both want LESS treble energy than ‘flat’. We both love the spaciousness of dipoles but heard few to listen to.

First--the WORST sound, BY FAR, was the from the Wisdom M-75, priced at $55K/pair. It had so little energy in the power region, it wasn’t ‘thin’, it was clangy. Most disappointing for Dean was the Rethm, which wounded VERY think and bright, even with the horn extenders.

POSSIBLY the combined shows' best sound was produced by a prototype system by Cogent. It’s a 2-way system driven by 2 field-coil-powered compression drivers, horn-loaded of course, plus a monstrous mono-15"-horn-loaded subwoofer, all of which might retail in the $40-thousands. The horns were rectangular and built of birch plywood, painted, and had significant resonances, but both of us felt this system reproduced the sound of the orchestra VERY convincingly. The ‘possibly’ above is because they were in a much-too-small room. WAY over 100dB sensitivity. Maybe next year...

Overall, probably the best sound we heard was from the German-made $6500/pair Audio Physic Scorpio. It’s a rather-conventional-looking back-tilting, 4'-high floorstander that uses one dome tweeter and 2 MRs on the front panel and 4 7" woofers mounted 2 on each side and driven as bipoles. They had plenty of energy in the power region and great bass, extended and well defined. GORGEOUS veneers! Dean felt they were not quite as transparent as he would like; I disagreed, but he’s the GEA, not me.

The Vandersteen Quattros sounded very nice, neutral, spacious, etc., but were too ‘polite’ in the power region and hence uninvolving for both of us. Same for the Gallo Reference 3.1s, which produced probably the biggest and best soundstage of the show in a relatively HUGE room. Those little things were probably 10' from each sidewall.

In substantial contrast to their sound in Denver last September at RMAF, the Zus sounded QUITE good, especially the $2800/pair Druids with the $3K/pair ‘Method’ powered subwoofers. They were too bright for us but sounded VERY fine otherwise. I believe they’re Dean’s current favorites.

One thought both of us had--most of the speaker designers can’t be lovers of classical music--else they wouldn’t be designing speakers that sound, in the treble, little like real orchestras playing in real space. Oh well...
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128x128jeffreybehr

Showing 2 responses by brainwater

This was a fantastic show IMO . Great weather , good kharma everywhere and some excellent sound to boot. Running into old friends and meeting new ones is really the highlight so let me start there. Jonathan Tinn and Mike lavigne are often spotted together and its a geat treat to hang out with them for a while . There is so much incredible energy between them thats its impossible not to get caught up in it. Ed Meitner was often spotted and always had a moment to spare for the wannabes like me .David Chesky was seen everywhere and was always kind enough to stop and talk . Without people like him pushing the envelope , we would have nothing but hardware and lousy recordings . Craig Oxford was forthcoming about new exciting developments in the Nearfield Pipedream line and I for one find him stimulating to talk to . Mike Verreto , importer for ESP was a treat to get to know as he has some new products that were as good sounding as they looked. Tor and Lew at CJ are always the best , and Gentleman Mike Kelly was as usual gracious and kind from Aerial Acoustics . There were some incrediible products this year with the Von Gaylord liquid cooled tube amp at near 60 k the most unusual . Swedish Solutions plastered your ears back with some outrageous dynamics with their 250 k speakers that didnt quite look like 250k speakers. Burmester as usual had a sound to die for and I saw their electronics in another room I really was taken with... The Audio Physics room . The Scorpio was being shown and I was floored by its lifelike soundstage , clarity and accurate midrange presentation . This speaker is a winner for them . The Esoteric room was showing the beautiful 20 t speaker from Aerial Acoustics and it was so smooth you could listen for hours on end . I personally loved the MBL room . I will own a pair of these one day. The 101 E Radialstrahler is one of those products you love or hate but cannot dismiss as it produces effortless dynamics and a soundfield to get lost in . Personally , i fell for the TAD speaker they were showing this year . Not sure the model but at 40 k , I saw it as a bargin . Saving the beat for last , there were 3 rooms I could write a check for. Once again its Jonathan and Darren duking it out at the Alexis for top honors in my view. Darren and Bonnie controlled several rooms and while he was relentless in expressing enthusiasm and knowledge { the guy is brilliant }, Bonnie is cool , dishing out great hot chocolate. All of their rooms were meticously set up and they sounded that way. The Ascendo CAT Reimyo room was simply gorgeous sounding and easily some one of the best sound I have ever heard .Explosive dynamics yet intimate with lifelike, uncolored timbre. Top end extension was natural and the dimensionality was phenomenal . In another of his rooms I was floored by the Karan solid state amps . This is something you must hear to appreciate, it has an iron grip on the bass region and was liquid from the upper midrange on up. Worth a look if you ask me. One of the biggest surprises of the show was Frank TChang of Acoustic Systems. Frank is a Chineese acoustical engineer living in Paris with a name like... well Frank. What a combination ! He was showing [to great effect ] , a block of wood with a tiny cup on top . The cups come in various metals and do different things to some degree. The product was called a Resonator. He effortlessly manipulated the soundfield and soundstage by simply repositioning the cup. It widened , closed , deepened and moved forward the soundstage with the slightest change in position . It was atounding and has my vote for tweak of the .... century! Way to go Frank!! JTinns Von Schweikert VR 9, DarTZeel, Meitner room was once again at the top of the class this year. Its what we go to Vegas for. Jonathan carries only the finest gear and what i like most is he just lives for this stuff. His room was small but the system blew the walls away and was deep, rich in harmonic texture but transparent as hell. Air and decay was world class and the system was completely free of grain . I was blown away. He was also showing a new turntable for 16 k that took my breath. I may have to spring for this one. Last but far from least at THe Show at the San Tropez was the debut of Alex Peychev of APl and his proprietary system consisting of his own design of speakers , hybrid amp , cables and most importantly , his NWO -1. This is an Esoteric UX 1 that is gutted and rebulit with 10 dacs per channel and dual tube output stage. The sound was open , extended , cohesive and had a wonderful midrange. It was as linear a sound as I have ever experienced . The room stayed packed from sun up to sun down . I wasnt the only one who thought so. Great show , see ya next year!!
Twilo , I spent many listening sessions in both rooms actually as i found the speakers amazing . The TAD room was large and well appointed with plants and soft lighting. Amplification was all top tier Pass , 4 monoblocs if i remember correctly. The sound was beautiful and delicate on soft passages without losing frequeancy response coherency and explosive on dynamic material without any hint of compression . I was blown away. Fit and finish was stellar. The Focus room , I forgot to mention in my above post re the show was another winner in my book. Large enclosures that dissappeared quite easily. They repeated a James Taylor disc that was rich in harmonics and transparent to boot. I came back 3 or 4 times over a 5 day period to hear them . It was a room that never overplayed nor misunderstiood the speakers attributes. Like the TAD , they too disappeared easily and left you falling deep into the music. It was sort of strange to me . I kept catching myself sitting through 3 or 4 songs at a time and losing track of the time I was occupying the center chair. Hope this helps.