A brutal review of the Wilson Maxx


I enjoy reading this fellow (Richard Hardesty)

http://www.audioperfectionist.com/PDF%20files/APJ_WD_21.pdf

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g_m_c

Showing 3 responses by dmurfet

Unsound

As a pretty poor trombone player myself in the past I can confirm this to be true. Trombones when they are *leant* on can really be very dynamic - equally true of trumpets and parts of the percussion section.

I guess that's why the orchestra only has very few of us and a boat load of strings!

Also you may find your recording of the trombone was taken at say 40ft if it was in an large group and your room might not be that big!

Good to see the the discussion has moved toward the live instruments

:o)
I'm pleased to see a review that isn't just gushing.

Personally I've only ever heard WP6 / Sophia and now own Sophia. I disagree not with his arguement, but with his conclusions. Like many here have argued, I have listened, I did like, so I bought.

If an opposing view is stated by someone who doesn't have a stake in the outcome, then that's good for the debate. I can't remember last time I read a bad thing about any audio product unless it was written by an amateur, so hat's off to him for his boldness.

Often the best reviews are in the 'gon, except when they start to read like the pro's - probably deliberately.

It would seem that most reviewers would need very big homes since most things they hear are "unmatched in the all important (insert area of choice here) area". So they must own an awful lot of kit!

I would like to read more back to back reviewing - two products in the same system no other things changed.

Just my 2p