A blasphemy....I know....


Recently I had occassion to go to an audio/video store, which is usually painful for me--but I went to help a friend purchase a new TV.
I saw the new RGBY, note the added Y in that statement.
Sharp has a new unit, (others I'm sure to come) that has Red, Blue, Green, AND YELLOW!
The difference at first, until my eyes adjusted to the store and the 'millions' of other TV's seemed notable, but not revolutionary.
WRONG! After about 15 minutes of comparing others TVs as my buddy wasn't going to jump and pay more--I focused, (no pun) on the RGBY. WTF!!!!
Man this set is really something. Colors such as rich browns, and coral colors, and even the infield grass at the Ky Oaks was brilliantly better.
Anyone else seen this???

Back to my first love now, AUDIO and WOMEN...
(Not usually in that order)lololol

Larry
lrsky

Showing 2 responses by johnnyb53


05-05-10: Chadnliz
So whats this do to HDMI? And will it carry full 1080P?
It probably wouldn't change the requirements for HDMI transmission. It receives a standard digital RGB via HDMI and remaps the incoming 3-color signal into a 4-color array to assign colors to the pixels in the display.

Just as Dolby ProLogic could matrix out 5.1 surround from 2-channel, the RGBY TV probably extrapolates the yellow signal from within the RGB transmission received. Another illustration of the principle is the various tricks applied to 16/44.1 KHz digital to increase playback resolution via upconverting and bitmapping.
05-03-10: Ericjcabrera
shouldn't be cmyk? (cyan magenta yellow black)
Ericjcabrera
No. Cyan/magenta/yellow are the primary pigments--the primary colors of *reflected* light. Red/green/blue are the primary colors of direct light.

05-03-10: Ryanmartinson
The TV might look great, but as far as adding yellow, it's gotta be pure marketing bullsh#t. The RGB spectrum already has yellow (it's just not in the acronym), so they're not adding anything.

Ryan
The division of red/green/blue is arbitrary and the lowest number of colors possible to *approximately* cover all of them. This method takes the visible light spectrum and divides it equally into three parts; the visible products are red, green, and blue. But if you look at a lot of TVs and even after you adjust them, you'll find that some favor greens, some are redder, and some, no matter how you twiddle the knobs, just can't do neutral grey shadows or believable skin tones. Or sometimes there's a persistent green tint that--by the time you adjust it out--goes straight into overly red.

This is because the 3 color system works, but it isn't perfect. Lithographers have known this for nearly 200 years. I have hanging in my living room a limited edition litho of a pair of Siamese cats. Standard color printing requires 4 colors of ink--magenta, cyan, yellow, and black. This litho used 6 colors--the standard four plus specially mixed inks of blue and green to more accurately capture the color of the cats' eyes and the foliage surrounding them as depicted in the original watercolor painting. The lithographer wouldn't have gone to that trouble if the standard 4 inks would have sufficed.

One could create an entirely different color system by dividing the visible light spectrum into (for example) six segments. Then there would be six different colors than the three primaries we're accustomed to. Color renditions would be more accurate as well.