This is a point of contention from most manufacturers.
THIEL uses first order, stating that this is the only true phase correct design. Several others agree.
Those who disagree, claim that first order is only correct at the launch point of the drivers, and that lobing caused by commonly shared frequencies of the multiple drivers, cause drastic frequency shift at points within the listening room.
I personally take the position that a great designer will use whichever crossover works best in a given speaker, and with each particular crossover and driver within that design. That may mean first, second, fourth etc. It may seem obvious that some designers have 'painted' themselves into a technology stalemate by adopting one technology, hanging their reputation on it, and then being forced to use it com hell or high water.
The only thing certain in loudspeaker design is variables.
So to my way of thinking, a great designer should be flexible, not dogmatic.
IMHO
THIEL uses first order, stating that this is the only true phase correct design. Several others agree.
Those who disagree, claim that first order is only correct at the launch point of the drivers, and that lobing caused by commonly shared frequencies of the multiple drivers, cause drastic frequency shift at points within the listening room.
I personally take the position that a great designer will use whichever crossover works best in a given speaker, and with each particular crossover and driver within that design. That may mean first, second, fourth etc. It may seem obvious that some designers have 'painted' themselves into a technology stalemate by adopting one technology, hanging their reputation on it, and then being forced to use it com hell or high water.
The only thing certain in loudspeaker design is variables.
So to my way of thinking, a great designer should be flexible, not dogmatic.
IMHO