300 B Shuguang Black Bottle tubes


Just got them from Canada (from NA distributor) and put as a replacement to my Audion Silver Night 300 B. I used to have 300 B (Hot Rods marked), I think they were codenamed as Golden Dragons (correct me if I am wrong), had to replace them recently, I got what I could get in Russia - Svetlana 300 B ones. Svetlana by all means not bad tubes (I thought way better than the ones I used which came with amp), but Black Bottles are just another league way up from what I heard. Suddenly bass became very articulated (used to be rather boomy), soundstage is a huge improvement at all.

They are in burn in process at the moment (as I read they really start signing after 300 hours), I am wondering whether anyone did have an experience with them and whether it is as much positive as mine (very addictive tubes!!!!).

Anyone?
salavat

Showing 7 responses by salavat

I keep listening to them over last 6 hours.. Suprising how well they sound at low volumes, typically bass gets diminished, but that is not the case with them.

Soundstage is really big...
OK, tubes have over 10 hours now, the initial excitment settled down a bit....
What is clear at the moment:
1) They have much better, controlled bass which is no way boomy. I have Klipsch Heresy 3 and REL Strata 3 sub... At the moment I am biased to use sub as triphonic system, I just feel there is enough bass for me and for the room (20 sq.meters).
2) Midrange is more open and sweet. I feel it might become (I hope so) more defined.
3) Highs (trebles) are delicate, I wish they becom more articulated and airy.
4) Soundstage is big improvement over my previous tubes, it is just amazing.

At moment I find sound of these tubes very relaxing and addictive to listen over period of time.

Funny enough I have Senns 650 with Stefan Art cable and subversion of headamp called Zana Deux Micro (at the moment available in Russia only). I liked the delicate and airy sound and preferred it before to my speakers rig, now I prefer the sound of speakers, find headphones a bit lacking resolution.

Tubes are revealing to show a bit mechanical sound in records which were made in late 80s and they sound lively with records from 60s, it could be my setup though (Thorens 124, SME 3009 and ZYX R50).

I will post another comments when tubes will be over 100 hours to see whether sonic presentation has changed.
Yes, I read from somebody who preferred them to new WEs 300B, I guess it is just a matter of time when people start realizing qualities of Black Bottles.

My tubes are still under 100 hours burn in, I think that midrange is somethings special though, I am still hesitant to draw any conclusions, as I understand, they dramatically change at 300 hours burn in...
I agree with you, there are some things which are obvious from the beginning, but before they reach 300 hours it would be too early to judge them.
Quick update...

After 100 hours (that counts both playing time and powered on but not playing time) I can confirm few things about them:

1) Soundstage is really (IMHO) something to get them for. If I close my eyes listening to music, the sounstage extends both in wide and in depth. Cannot say this regarding exact location of the performers/instruments, but "the picture" gets reaallly big.
I never could understand why many of my fellows are funs of mono recordings, with these tubes I can get an idea :) Listening to mono records is a fun.

2) Bass gets more focused and yet, it is still there and it is more powerful and meaty).

I tried to be critical to something that I wish would be improved. Trebles. I wish them become more airy, with delicate rollof, they are very nice but I hope when everything settles down they would become even better.

Also must say that they are quite revealing to the quality of recordings, exaggerated highs, boomy bass - you get everything what is in there.

And, yet, they are VERY seductive tubes. I often put a record to check out any changes, and stop listening when the complete record has been played through.
OK, it seems that I have got circa 300 hours of burn in on those tubes, I might write some summary of impressions about those tubes.

Burn in. Tubes change dramatically during 50 hours, after that I was seening little or unidentifiable changes. Those tube take 300 hours I believe to burn in completely, before sounds settles up completely. There is one interesting thing to mention - the base came up suddenly after 100 or 200 hours (cannot tell), it becomes solid and punchy and articulated, just out of blue.
I think burn in is important, since the sound becomes definitive, airy on highs and seem to improve sound just in every direction.

Out of the box. Sound is wonderful, by all means. Easily beats up Golden Dragons and Svetlana which I used before.

Qualities of the sound.

Soundstage. It is big, huge as compared to those tubes I used. Soundstage seem to increase in wideness as well as in deepness of the scene.

Midrange. Sound very open, without any veil, very lively.

Bass. Punchy, articulated, but gets even better after 100 (200) hours. It is not boomy by all means.

Highs. I think the most difficult part in the sound of those tubes. I found myself wondering where are the highs?? :). Having compared to Senn Hd650 (Stefan Art audio cable), plugged in Zana Deux micro (Russian variant of famous headphone amp) I realized that they just give what I have in the system (I use Audion Phono, Pre-Amp and Silver Night classic SET 300B) running Klipsch Heresies 3. Very revealing the quality of recordings too - switching between vinyl and CDP, easily seening how the record was made.
Starting from this, I changed wiring in amps (all three) to silver (audio consulting wires). The effect was immediate - more resolution came up right away.

Sound texture and resolution. I think they give very good level of texture, could notice subtle details in performances.

Way of presentation. The most magical part of the tubes. It is so addictive that you could find yourself wondering about CD/LP music (not sound!) sounding sooo gooood... Starting listed to LP I often stopped when the side has been played through. CD - listening track after track. The best word I believe would be seductive (tubes). The sound is so easy and relaxed that often at times I fall asleep :)

Now, what about drawbacks?

1) They are most expensive tubes in the range (twice more than TJ Full Music Mesh plate)
2) At my system, I would not say the imaging was very exactly locating instruments and performers.. But that could be my system, may be horns are not good at that, compared to bookshelf speakers.
3) They are quite revealing, could be thought as drawback by some people, I think, in some systems.
4) It takes 300 hours to burn in !!!! you could go nuts before they settle down.

The final part of the impressions would be when I visit a friend (he has WE new production and 2 amps using 300 B) to make a comparision like A/B to see how they perform vs. westerns.
>Ml89009

If I understood you correctly, you are asking about 300B models in Shugaung range... Black Bottles is their top model, and I (personally) think (reading from reviews) is much better than comparable TJ ones (I believe also that JJ, Svetlana, etc does not stand out at all in this competition).

If you go to grantfidelity.com you can find short review by the guy claiming that they are better than new WE. A friend of mine has new WE and he has heard Black Bottles. When I asked him to do A/B testing between those 2 he refused)))