Rock n Roll w/Strings


IMO, this is generally a terrible idea.
But....when done right (a rarity, IME), it can be great (per the attached clip).
Anyone else have recommendations along this line.

http://www.youtube.com/watch?v=Vu4BrzxfpUM&feature=related

Thanks in advance

Marty
martykl
Mapman, there's nothing coincidental about you mentioning ELO and The Beatles in the same post. I seem to recall a Rolling Stone interview with Jeff Lynne (of ELO), in which he professed his great love and admiration for The Beatles and that his vision for ELO was to pick up where the Beatles left off. At the time I thought that was a bit arrogant, but I definitely hear Beatles' DNA in ELO's music. Full disclosure, I'm a life long ELO fan.
While my original post was headed a different way, the ELO responses are most welcome. I'm not sure exactly how I feel about their use of strings, but I'd agree that IMHO Jeff Lynne is definitely a top tier Brian Wilson - Lennon/MacCa songwriting disciple.

One of my favorite "under the radar" singer-songwriters is named Parthenon Huxley (he mostly performs as P Hux). When Mik Kaminski and/or Bev Bevan reformed ELO as ELOII (later, after Jeff Lynne sued over the use of that name, they renamed themselves The Orchestra), they recruited P Hux to replace Lynne. If you want to hear a remarkable job of songwriting in someone else's style, try to hunt down the track "Jewel and Johnny" by The Orchestra.

When I first heard it, I would have sworn it was a Jeff Lynne-penned ELO top 10 hit. Were it released back in the day, I suspect that it would have been among their best known songs. I'd say it's worth checking out for Lynne fans.

Another interesting P Hux record is called Homemade Spaceship. It's entirely P Hux's acoustic covers of ELO songs. The songs are really transformed (tho, I'm sure, not to everyone's taste) by this treatment and that led to my earlier comment regarrding ambivalence about ELO's strings. Sometimes, I prefer the "unbowed" versions on Spaceship.

Marty