Bob Dylan's Modern Times, a new Masterpiece?


Upon my initial listening I feel it is safe to declare this new offering from Bob Dylan a masterpiece. Very comforting to know America's true folk treasure is still on top of his game.
dreadhead
Dreadhead,

Easy there, fella.

I hope that I made it clear in my post: I like MT a lot (a WHOLE lot), but it still strikes me as a very odd #1 record. Ben's observations notwithstanding, MT replaced something called "Danity Kane" as #1. MT (deservedly IMHO) has gotten a ton of good press, but I seem to recall TOOM and L&T getting similarly rave reviews - without the sales numbers (I believe they peaked at #5 and #10, respectively). One obvious difference is the Apple tie-in in the marketing campaign. Don't overlook the impact.

Or maybe the record buying public has just suddenly woken up to Bob Dylan again. Either way, I'm certainly happy for the man and for the potential benefits to other personal songwriters who may benefit from MT's commercial success.
Marty, fair enough. I'm sure the Ipod spot didn't hurt the sales any, that's for sure. But the Ipod belongs to a different generation. I don't own one. I'm 50 years old and don't want to jam a million songs into a tiny little box. Never owned a Walkman either. Matt's absolutely correct. This album sound's like Dylan is rehashing his own material. Almost every song sounds like it came from another one of his own past albums. That's what I like about it. The man reinvented rock and roll years ago. Once is enough for any artist. There was a time not long ago when Dylan was nothing more then a parody of his former self. I think with this album, like the Stone's "A Bigger Bang" these aging rocker's have found a place they are comfortable with and so is the buying public.
"Modern Times hit number one in its first week."

So did albums by Eminem and Fifty Cent. Justin and Brittney sell lotsa records too. Mass appeal is almost a reverse indicator of quality in America where Budweiser is the king of beers. I saw Bob Dylan perform live at Radio City for David Letterman's 10th anniversary show. This was over 10 years ago maybe 15. He couldn't sing at all and was almost unintelligible. I have heard his later albums and his denigrated vocals no longer work for me. When I listen to music the vocals are the one thing I can't get past. Springsteen has written some great songs but I hate his voice and can't listen. I'm sure Bob still writes some gems. I'll wait for someone who can sing to cover them before I buy them. It's all personal taste and early Dylan captures a time in music and America that I was lucky enough to live through and am still able to revisit through those early records. The same goes for the current output of The Stones, The Who, Clapton. The most maddening thing is groups who replace lead singers while retaining their original name. the Doors with that Ian whathisface from the cult? Freddie-less Queen with Paul Rogers? And worst of all "The Dead" who dropped the Grateful out of re$pect for Jerry. Do all the commercials you want guys. You earned the rights to that money. A graceful and timely exit is all I'm asking for.
One could also be dismissive of so-called Audiophile music-who's going to listen to that in 50 years?
And what about all that crap about cables-sheesh.
And what about manufacturers that keep the badge and produce inferior products and claim the new model is better?
:-)
Instantly forgetable criticisms that have a grain of truth in them...for me at least

Joking aside I really do think actually singing quality is a real hang up for many Audiophiles and indeed that is why they go so often for such perfect female vocalists and cover versions and all that soft jazz and perfectly recorded pap...ouch I'm falling down that hole again.

Dylan isn't for everybody but to be honest Jsonic you ain't adding much to the debate which is about his new album.
Dreadhead I couldn't disagree more about Modern Times in terms of what it sounds like.

He's using the same templates but the music is closest to Love And Theft with tiny sprinklings of the Blues related stuff of TOOM done in a less "powerful" fashion.
There is no real strong connection to how Dylan used to sound pre-97 anywhere on this record.

Imho the real masterpiece of recent years is Love And Theft and until Modern Times resonates for me with the originality,depth and wit that album does then we need to debate this on a daily basis.
I can think of worse things to do.
:-)