How Does Gold Wire Handle?


Thinking of building a pair of XLR interconnects using 26-28 gauge, 99.99% pure gold wire, 2-3 strands per conductor. As soft and malleable as gold is, I'm trying to imagine how it behaves--if you hold a 3-foot length by the ends and bring your hands together to bend it in a wide arc, I am imagining it just stays there, without any return. It would have to be carefully straightened out again, is this correct? It seems you wouldn't want to be bending these interconnects back and forth once made. How about silver and copper strands in these gauges? I hear the OCC in silver and copper handle/move better than non-OCC. I would be running any wire loosely in cotton and then teflon, much like the more successful designs out there. Thanks!
128x128jafreeman
Jafreeman, your design should produce excellent results with each strand separate. Are you planning on using gold for all three pins? You will want to protect all three with Teflon tubing. If your not considering using gold in pin one, you might want to think that through. I use a 24 gauge as well as some finer gauge in the one pin. For what ever the scientific reason, it matters.
Thanks to all--opinions vary according to experience with the different metals. There is a lot of testimony in favor of copper and silver--understandably, especially with copper, due to its low cost and nearly universal application as the metal of choice for electrical conduction. However, we are trying for high performance in this hobby, so nothing in our systems should be ordinary, even if traditional in industry and residential wiring. There is such a path dependence on copper wire, other metals are nearly regarded as experimental. Using gold and silver as wire is something of a shock to the psyche, it seems--gold more than silver, which is hailed as more conductive but also less forgiving in its results.

Perhaps wise if one proceeds with a design first using copper, then silver, and finally, gold--expensive in the end, not so much in the beginning. Once you start down a path, it's not easy to turn back or stop short, so I will ultimately try pure gold wire. Besides, there is too much testimony here extolling the virtues of gold, and this from established makers of gold cables and their customers. Sometimes, one has to act on what others have found.

One decision process in medicine is called empiric treatment. Say a patient has symptoms of a respiratory infection, such as fever, cough, diminished lung sounds, elevated white count. An MD is not sure yet if this is pneumonia, but without further evidence and, based on prior experience, he or she will treat that patient with an antibiotic as if they do have pneumonia. This is called treating the symptoms--the patient--empirically. There's a lot of prior experience here on 'gon, shared by those of you who build things, and I appreciate every word put down, especially from Jadem6, who must be regarded as the pioneer of gold cables.

JD, yes, I will use Teflon tubes over cotton tubes. I want to use three strands per pin--would you suggest laying all three in one cotton tube, or each in its own very small tube? I don't know why, but I am leaning toward the three small tubes into the Teflon tube. And, yes, the ground pin--what to do about that. I like to think it doesn't carry signal, but then, your experience says otherwise, and therefore, gold is needed there, as well? I'm going to run these cables from a Wadia player, so I only need one pair. I suppose I could spring for gold on the gound pin, per your recommendation.
As you may assume, I have tried every possible combination of materials for all three pins. I have tried copper, silver, palladium, gold and platinum. For what ever the reason, the materials in the #1 pin mater and have just as significant an affect as on the other two pins.

I have found all gold works best for all solid state equipment, and gold/platinum combination when used in a tube system. This is of course a generalization, and different ears will prefer different cables. It might be worth experimenting with platinum too, but only if you don't mind spending the extra money.

Now if you promise to not tell anyone my secrets, I will share what gauges I use in my reference cables. The #1 pin I use 1-30 gauge, 2-28 gauge and 1-24 gauge wire. In the #2 and #3 pins I use 2-30 gauge and 1-28 gauge wire. All wires are of course 99.99% pure gold solid wire.

I sleeve all three wires in the #2 and #3 pins into one 2mm cotton sleeve and sleeve the 24 gauge in its own sleeve for the #1 pin. I use Teflon tubes for all three pins to add strength to the assembly.

As you probably know I use 3/4" cotton piping to keep the three conductors approximately equally apart from one another.

I wish you luck on the project.

Jade
Amazing, Jade--kind of mind-blowing, actually. That you are mixing gauges in the #2 and #3 pins tells me the addition of a 28-gauge there has probably added something beyond three 30 gauge wires you have previously mentioned along the way. Seems traditional thinking around here suggests using the same gauges in each conductor, but then, advances come through experimenting on the same themes until something breaks through. I will follow your sage advice on the #1 pin by adding more wire mass to chassis/signal ground. I won't ask why--I'm sure someone else here will have some input on this.
In the interest of the thread, I should have stated my project goal--to exceed the performance of my Transparent Reference 1.5 meter XLR interconnects, purchased, about eight years ago for 4K. I have actually been fairly happy with these cables, but I really believe that, with the continued introduction of high-quality components on the DIY market this can now be achieved with careful technique and quality control.