Well said, Sean!
There is a way to make an end run around the bass problems in a typical room. And that is to start out with speakers that adequately address the situation.
One such design is the Gradient Revolution, whose dipole bass loading results in exceptionally smooth in-room response. Okay I'm not normally one to get excited about numbers, but sometimes something you can hear shows up in measurements, and it strikes a chord. In 1997 Stereophile's John Atkinson measured the smoothest in-room response they ever recorded, and it was from a pair of Revolutions. Plus or minus 1.3 dB from 32 Hz to 10 kHz in an actual room, using 1/3 octave pink noise. Yup, re-read that. Very few speakers can pull that off in an anechoic chamber, let alone a real room! The point is, there are unorthodox techniques that offer significantly better real-world performance by seriously addressing the speaker/room interface. I tip my hat to Jorma Salmi for his brilliant design.
The secret to the Revolutions is dipole bass loading, which very significantly reduces the amount of reverberant bass energy put out into the room's resonant modes, along with cardioid radiation patterns for the mid/tweet modules. These unorthodox radiation patterns minimize the room's influence on the sound. The net result is a speaker that not only sounds very good, but does so in a normal (i.e. crappy) room.
There is a way to make an end run around the bass problems in a typical room. And that is to start out with speakers that adequately address the situation.
One such design is the Gradient Revolution, whose dipole bass loading results in exceptionally smooth in-room response. Okay I'm not normally one to get excited about numbers, but sometimes something you can hear shows up in measurements, and it strikes a chord. In 1997 Stereophile's John Atkinson measured the smoothest in-room response they ever recorded, and it was from a pair of Revolutions. Plus or minus 1.3 dB from 32 Hz to 10 kHz in an actual room, using 1/3 octave pink noise. Yup, re-read that. Very few speakers can pull that off in an anechoic chamber, let alone a real room! The point is, there are unorthodox techniques that offer significantly better real-world performance by seriously addressing the speaker/room interface. I tip my hat to Jorma Salmi for his brilliant design.
The secret to the Revolutions is dipole bass loading, which very significantly reduces the amount of reverberant bass energy put out into the room's resonant modes, along with cardioid radiation patterns for the mid/tweet modules. These unorthodox radiation patterns minimize the room's influence on the sound. The net result is a speaker that not only sounds very good, but does so in a normal (i.e. crappy) room.