How many People own Working Reel to Reel Decks?


I just bought a very nice condition Revox A-77 on Ebay and I have to say I love the sound of tape. I wish I had done this years ago when it made more sense. I see that good quality reel to reel decks are getting snapped up on Ebay and I am wondering who is buying them and what they plan on listening to (prerecorded music or tapes they make). How many people here on audiogon actually own a reel to reel that works and they use it regularly? Thanks.
Mark
mepearson
Mike,

Im not going to get any further into a contest of what I cannot hear, which is a difference between my sources and my recordings, or that of those that I frequently talk with, of the same opinion. But I will say, Im not running any crud machines from the 1970's. Im using 2 deskc from the latter 1990's, and 2 decks from the middle 1980's, and of them, all 4 decks have been completely brought up to better than factory spec, by an expert in this field, of repair and restoration. A guy who I referred many people, and all have had nothing but the most positive to say about his work. I switch between source and tape, I also have DBX type 1, which on occasion I use, and I cannot hear a difference, which is all that is important to me. And to all others that are impressed when I allow them to hear these tapes. I like to agree with you on the fact that we both love reel to reel tapes, and Id rather not argue. My ears are my guide, and they hear just what Im telling you. Ray
It sounds to me like you two guys should make a tape and swap with each other, and let the chips fall where they may!!!

jsman
Im not really arguing with Mike. He is right. From a technical standpoint, the absolute original source, or master tape, will always be better than any generation copy of it. But if that is what your paying $300.00 a reel for, than you should expect that. What Im saying is, the copy that I make on any one of my machines, sounds just as good as the source Im using to my ears, and the ears of many of my fellow reelers. And thats all that is important to me. I am not measuring the results with sensitive test equipment, Im listening to it via my stereo, which is pretty top notch, luckily, since I put alot of it together before children were born. I could never do it now. So, I enjoy my perfect to my ears sound, and enjoy the expressions of fellow audiophiles when I play things for them, or make them recordings. None of us are using test equipment to evaluate any difference between my source material, and the tape of it that I made. Ray
Ok Ray,
I do understand what you are saying and agree for the most part; but I also agree with Mike as well. Now if your recordings come out sounding as good as the source to your ears, that's all that really matters. Now looking at it from the other side any copy can not possibly be as good as the original period. It may sound as good, but there will be a slight degradeing in sound. That will be easier to see with the proper equipment, than one would be able to hear with his/hers ears.
I have one...Studer A820, but may obtain another one for location recording. -Sam