Teres 260 or Galibier Serac?

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Nrenter,
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Do yourself a major favor and upgrade the platter.
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Rgds,
Larry
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I found some things that I didn't like about the belt-driven design (namely the stretching of the belt-splice over time and the audible sound of the splice passing the motor pulley).

Both of these problems do exist with the stock belts supplied by Teres and Galibier. But they're easily resolved by DIY-ing one's own belt - a 15 minute task.

My splice hasn't stretched in over two years of daily use, and a properly taped splice makes no noise going around the pulley. These are not difficult problems to solve. Ask anyone who's ever spliced video or audio tape.

The Verus is probably well suited for rock. It was intolerable in our system/to our ears for classical, or any recording of acoustic instruments and top quality vocalists, but for feedback-rich music that's heavily mixed in the production studio, it might provide a great listening experience for many.

Definitely an area of personal choice and sonic priorities.

thanks for the responses, I am looking for as nuetral as possible and want to minimize the tables sonic fingerprint on the music. Maybe a quick trip to Colorado?

Doug, correct me if I'm wrong, but didn't you hear an older version of the Verus? I seem to recall that Chris updated the controller (and commented on the updates) since you played with it.

Yeah, it is my recollection that Doug mentioned that the Verus motor he got was one of the first and it didn't maintain a constant speed.

I am very happy with my Verus. I have a 255 and upgraded from Belt Drive. For me, the biggest advantage was that the speed became rock solid, lending a wonderful solidity to the music.

I listen to a lot of classical music and the Verus really was a large improvement.