MM to MC back to MM


Has anyone gone back to MM after trying MC cartridges? Why did you go back? What MC cartridges did you try?
jsman
I’m currently using a low output (.4mv) MC – Shelter 501, through a Black Cube into a line input on my preamp (Mac C2200). The preamp has a phono section, but it is designed for MM. I’ve been hoping to try a direct connection to the preamp, but I understand I need a higher output MM or MI to do it.

I’ve read the above about strict comparisons between MC and MM. In that vein, keeping components, cables, etc the same shouldn’t be too difficult. Matching phono preamp sections – this seems to be where the difficulty arises, due to the differing nature of MC and MM cartridges. My question is – at the risk of becoming a human dartboard – ultimately, does it really matter? OK, from an academic point of view it would be nice to be able to pinpoint the plus and minus aspects of MC vs MM, but many/most of us don’t have the resources to set up a system to precisely determine the relative sonic differences of MC cart A vs MM cart B. But within the context of our own systems, which is what we live with every day, isn’t the bottom line - what sounds good? If, for example, in my case, I buy an MM cart, I understand that any differences I hear will be partially attributable to the cart and partially to the phono section of the preamp.

With that said, I still think makes sense to consider an MM or MI that others have found to be effective in their systems. Several have been mentioned above, including the Shure V15 mr, Ortofon VMS-20 E Mk II, AT 440 ML and Linn K 18 Mk II MM.

Ctm_cra, you mentioned a handful of MM’s that have worked for you. Would you be willing to share that list?
By all means! Agree with your comments. Mind you, now I'm stuck with outboard phono stages MM & HO MC are my limit; price-wise also!
From the Beginning:
Shure M75ED
M95ED
V15-III
Ortofon FF15
VMS20
Goldring 800/900/920
A&R Cambridge P78
Grado FTE+, FTE3(?), Green & Gold
Rega Elys 1 & 2.
The A&R was my all time favourite: it LOVED the ITTOK!
Dear Ctm: I wonder why do you want to be so " strict " on the subject, well not so strict because you know want to use a limited digital technology with a signal that comes with no RIAA eq.

+++++ " to achieve identical musical passages when played back though the system " +++++

You can have it directly running both cartridges the same LP track in real time.

There is other subject that we have to take in count: that many preamps change its characteristics ( frequency response/distortion/noise/etc ) at different listening levels and that ( too ) if the Phonolinepreamp does not comes in one chasis there will be another variables: connectors and interconnect cable.

Regards and enjoy the music.

Raul.
Frankm1 - Psychicanimal's response beat me to it. Some of my recommendations would have included a few of the MM cartridges Rauliruegas mentions in his thread. The Grace F9E is superb and the EDR.9 is very good. This list is a moving target for me currently since I am relatively new to MM cartridges. I used MCs exclusive until nearly two years ago when I first heard a MM.

I have not yet tried the top shelf Stantons or Linns. The Ortofon MI are also intruiguing.