Power cable dilemma


I have to ask the community for an explanation to account for an issue I encountered this past week. 
 

I received a Mark Levinson ML-23.5 amp this past week. I plugged it in with a high end power cord I purchased years ago (because it looked better than the cheap cord that came with the unit. Lol). I switched from an ML-9 so I had certain expectation of the sound. After listening for about 30 minutes, I noticed that the amp did not sound very dynamic. I got up to go feel how hot it was and the heat sinks were barely warm. I turned up the volume and listened for another 15-20 minutes. I got up to check the temperature and the heat sinks were still barely warm. Also, I was playing the amp at volume level 28 on my Cambridge 851N. That is pretty high. The sound was still lifeless. I shut everything down and just sat there, dejected. Was the amp defective? Was it just a bad match? Were my expectations too high? I don’t know what made me try it, but I swapped out the power cord with a plain black cord and powered up the system. Unreal. I was now listening at volume level 22 to the same song, with staggering dynamic impact, at what seemed to be a similar volume. Furthermore, after about 20 minutes, I went up to feel the amp and the heat sinks were very toasty! So the question is: what could have possibly been wrong with the original cord that would result in lower volumes and no heat buildup? It is like it was throttling the current. To me, a cord either connects or it doesn’t. It works or it doesn’t. There should not be an in between. Does anyone have an explanation for this?

jrimer

@jrimer 

Totally agree.  Technology in power cords hasn't changed.  But there is a huge amount more hype.  In this application wire is wire, assuming it's thick enough to transmit the load.

SHOW ME THE CONCRETE EVIDENCE.

How refreshing.

Pangea is known for choking the sound. The PVC insulation in combination with 14 AWG is maybe the cause. Power cord technology hasn't changed much imo, but more exotic geometries, air diëlektricum, and the use of ultra pure metals (like OCC) have been introduced lately. 

10-12 AWG OCC in teflon will do the job and for low level and digital components good shielding is all you need. After that point, you reach the tweaking zone for the last % of performance (connector quality, plating).  

This is why I asked for a source other than the manufacturer or a reviewer. A reviewer is only echoing what the manufacturer is telling them. 

@jrimer 

I asked for a source other than the manufacturer or a reviewer.

If we're looking for lab tests, after searching, I can't really find any. I thought for sure there would be at least one or two out there, but as of yet, I haven't found one. It looks the only tests out there (beside manufacturer's descriptions) are mainly from audiophiles who have bought these cables, and have provided there own personal listening evaluations.