Interconnect Directionality


Have I lost my mind? I swear that I am hearing differences in the direction I hook up my interconnect cables between my preamp and power amp. These are custom built solid core silver cables with Eichmann bullet plugs. There is no shield so this is not a case where one end of the cable’s shield is grounded and the other isn’t. 

There are four ways ways to hook them up:
Right: Forward. Left: Forward. 
Right: Backward. Left: Backward
Right: Forward. Left: Backward
Right: Backward. Left: Forward. 

There is no difference in construction between forward and backward, but here are my observations:

When they are hooked up forward/backward there appears to be more airy-ness and what appears to be a slight phase difference. When hooked up forward/forward or backward/backward, the image seems more precise like they are more in phase. The difference between forward/forward and backward/backward is that one seems to push the soundstage back a little bit while the other brings it towards you more. 

What could possibly cause this? Does it have something to do with the way the wire is constructed and how the grains are made while drawn through a die? Am I imagining this? Have I completely lost my mind?
128x128mkgus
The flow of electrons for an audio signal is in both directions Geoff, from one terminal of the source to the other on the positive half cycle, then in the opposite direction for the negative half cycle. If you could optimize electron flow, favoring the positive half cycle over the negative half cycle, (or vice-versa), you would be distorting the signal. It’s never too late to wake up from the dream of “cable directionality“, and embrace reality. 
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The less evidence there is for a given position, the more bluster you will encounter among its defenders.  I have yet to see controlled tests that yield a strictly audible difference between heavy gauge cables, let alone directionality.  Here are two cites.  The second test suggests some differentiation between zip cord and higher quality cable, but look carefully what was preferred, and by whom, for a laugh.

http://www.aes-media.org/sections/pnw/pnwrecaps/2000/lampen/
https://www.stereophile.com/content/minnesota-audio-society-conducts-cable-comparison-tests-0

We should keep our minds open to new evidence, but do not be cowed by "if you can't hear it get out of the pool" assertions, those are just obnoxious bluster (by a cable vendor, no less).  Extraordinary claims require evidence.  Ask for it.
sleepwalker65
The flow of electrons for an audio signal is in both directions Geoff, from one terminal of the source to the other on the positive half cycle, then in the opposite direction for the negative half cycle. If you could optimize electron flow, favoring the positive half cycle over the negative half cycle, (or vice-versa), you would be distorting the signal. It’s never too late to wake up from the dream of “cable directionality“, and embrace reality.

>>>>If you wish to embrace reality you should first consider that electrons don’t flow, unless you consider a velocity of one meter per hour flowing. What is distorting the signal has nothing to do with electrons, which are simply the charge carriers. The electrons certainly aren’t the signal. The current is. You have to look 👀 deeper, grasshopper.
@jea48 You can’t tell me these things. Now I’m going to have to spend a weekend making sure all my speaker cables are oriented properly so the damn piano stays put. 😀

What is the proper orientation for hand twisted cables? Should the signal and return run in the same direction or opposite each other? Please tell me someone has an easy way to test it. Perhaps by looking at the end of the copper where the cut was made?