TT on Symposium Super Segue - slate or maple underneath?


I've gotten a Super Segue for my VPI Avenger. I have various things on hand I can place under the Symposium. I wasn't sure if a 3" thick maple block would work better than a 1/2" thick piece of slate. The whole thing will be sitting on top of my wooden equipment rack. I know ideally I should try both to see what sounds better, but hauling a 70+ pound TT on and off shelves for listening tests (not to mention moving a 3" thick maple block around) can be a bit of a pain. I'm hoping someone here has had some experience with what they've felt works best under a Segue, so I could try that first.
tonyptony
It’s a longish story how to optimally place a turntable on an isolation stand. To make a long story short, the component on the iso stand should be placed on very hard cones AND the stand or anything under the stand should also be placed on very hard cones. This set-up strategy allows for minimum upward 🔝 transmission of “seismic type” vibration AND maximum downward transmission of any vibration on the stand itself, which can arise from the turntable motor, acoustic waves, etc. what you want to minimize is stored energy in the iso system.
Good question, I've not tried that. I'm sorry to say you will have to try it and judge for yourself. If I were to guess I'd say there is no benefit to using the slate as a layer and possibly a hindrance.

the component on the iso stand should be placed on very hard cones AND the stand or anything under the stand should also be placed on very hard cones.


@geoffkait, yes I can see that as being a logical approach. But the Symposium concept, if I understand it correctly, is to dissipate the energy transmitted from the TT / motor into the Symposium material solution,  mitigating the need to use hard cone materials to act as a direct drain for the vibrational energy into the contacted surface. It seems like a one vs the other approach - dissipation vs. directed coupling. If (IF) the couplers and pods act successfully to dissipate the energy from the TT before it hits a lower platform, I'm wondering now if that would be enough? I reread Shannon Dickson's Stereophile article (I had forgotten about it - thanks bdp24). His case seems to recommend pure isolation between the device and the lower supporting platform, through the use of a Vibraplane or similar. I know the bottom line is experimentation will be in order - I guess I was hoping to trim some options off the list to maybe make it easier.

But after years of being here, I'll admit Shannon and guys like you here with your background probably know a lot more about this stuff than me. :-)

The seismic energy is not totally eliminated by devices since they are mechanical filters. So, cones are desired to prevent energy from being stored in the system, whatever that system is. Does the Symposium deal with seismic vibration? Maybe it does, but they don’t seem to address seismic vibration, so who knows? It should, since seismic vibrations are worse for the sound than induced energy.  Seismic vibration in the range 8-12 Hz excite the Fn of the tonearm, cartridge and platter.  In any case, what is required for best results is a comprehensive program of mass-on-spring vibration isolation AND energy dissipation/damping.