Can we finally put Reel to Reel out of its misery? Put it to rest people.


The format is dying and too expensive to repair properly. Heads wear out so easy and many out there are all worn.
High quality technicians are either retired or long gone. Its such an inconvenient format that can be equalled by nakamichi easily in tape decks.
Retire it please put them in museums. 
vinny55
I've noticed the collector market is booming for restored Reel 2 Reels. I will find and restore one for resale, to finance a new turntable. 
@mads1i am looking for a deck that has the following:
-auto reverse
-a dedicated tapehead out
-adjustable playback eq 
-3 3/4 and 7 1/2 playback

can you suggest something? Thanks!
Chalker, the things you won’t understand about music could fill the whole universe.

1: rappers that sample recordings that are the artistic property of others are not manufacturing anything that they can legally call their own artistic property. 

2: Rock and Roll is not the same thing as country or folk music. Your suggestion that it is, is as absurd as saying that rap/hiphop is the same thing as disco. 

3: Jazz artists that involve themselves with rappers are only reducing themselves to the same level as rappers. They are no more artists than the rest of the filthy degenerates that produce rap/hiphop. 

4: rap/hiphop doesn’t require sound quality. It is a colossal waste of hundreds of thousands of SL-1200mk2 turntables every year, and doesn’t even remotely require the capability of a child’s toy record player let alone a reel to reel tape deck. 
@chakster

@sleepwalker65

Your assertions are unfair and inaccurate. I am a rather waspy (without the p) late 50’s music and audio lover. Hip hop is every bit as relevant to those who enjoy the genre as anything you like. For you to take a swipe at the artists in your point three above is simply ill informed at best and pitiful at worst. There are so many young people discovering great music as they go on a search for the original sample. You sound like an older than average, inflexible elitist.

Keep in mind, Bob Dylan was a protest music artist until he went mainstream and plugged in. You were probably there booing. Hip-hop happened and evolved into what it is today, and it is intensely profitable for the music business and the artists. Are you of the camp that believes an artist must starve and only conform to what you think is right and honorable.

Alot of exceptional artists straddle the lines like Robert Glasper. You should apologize for your little tantrum because its guys like you who wonder why young people aren’t audiophiles. Your post above is exhibit A.