Tidal contriva se vs Hansen The Prince V2


Greetings to all.
Should I change my current speakers.
Who among you had the chance to listen to?
You can post your impressions.

Thank you PS I apologize for my ugly English.
ciro71
Enzo618, I am one of those that have been posting about Tidal ever since I fell head over heels with their products in 2005. I first read about Tidal in a small cord manufacturer's blog, was curious, auditioned, the rest is history. Had I gone the usual path to inform myself (reviews), I would probably not even know the company today. Even in Germany - no, make that especially in Germany - utter silence in all magazines, some detractors in forums - but that is what German forums are all about, always. Following my "discovery", I want(ed) to inform, share my elation and perhaps enable a few people to make the same musical discovery. But that is just as much true for AMR's wonderful products, for instance.

There have been reviews since then, I think in particular of the bemourned John Potis on 6moons. However, they seem to remain systematically ignored in Germany. I myself have actually grown suspicious about why that may the case apart from advertizing budgets...

I believe it is necessary that we all remain wary. I also believe we must be able to share our enthusiasm about products, especially if they are not available on every street corner. I have seen many other examples thereof on Audiogon and I have all read them with interest even if, after listening myself, I don't have to agree with all of them. The important thing is to be informed where to look. Imho it's all about conveying not convincing.
I have heard yesterday for first time the Tidal Contriva with NBS omega extreme 1 and VAC electronic ...
beautifull loudspeaker
excellent and precise staging behind the loudspeakers but as soon as I began hearing classical music ...
different CD's of chamber music, piano solo or piano and violin: the violin seems played by a syntheziser, the colour is absolutely irrealistic
not so much better for the piano
bass and more body in the medium are missing, wrong colours in the medium
then I tried Mahler 6th (Zinman/Tonhalle) ... everything is confused, becomes hard in the FFF, the music seems compressed although this SACD is beautifully recorded

NBS extreme 1 are very neutral,
VAC tube should be good quality and give some more body ...

so I was really disapointed, Tidal a loudspeaker maybe for audiophile but surely not for classic musicians
Which would sum up to one of the worst speakers around. May I ask where you heard this catastrophe? Also, could you tell us what speaker you would consider realistic for orchestral music and piano?
clavil...your findings are the polar opposite of mine...i have contriva diacera-se speakers and use all argento cabling..smr i/c and speaker cables and flow master reference and flow pcs and classical music through the speakers is unpresedented to my ears and i have heard many of the best speakers....my guess is the problem is with the cabling or eslewhere but not the tidals...
I agree with Calloway that Argento will change your perspective, but if you really want to hear them at there fullest capabilities look at the Tripoint Troy/Spartan products. Many Tidal owners know this is the best combination possible to bring them to full potential.