Ortofon Red/Pro-ject Carbon Debut combination; rolled off hi-frequencies. Solutions?


Hi there.

I just bought a Project Carbon Debut SB with a factory equipped Ortofon Red. After 30 hours break-in the mids are fine (smooth, rich and full), bass is a little fat but tolerable but the highs, as I expected were rolled off; but more than I expected and not acceptable to me. Obviously, there will be compromises in a "bargain" turntable but mechanically and sonically I think it's good basic platform to start with.
 
The TT is playing back through the inboard phono stage of my Musical Fidelity A3.2 integrated. I've swapped interconnects, starting with Audioquest Diamondback (nice mids, darker top end) and Wireworld Equinox 6's (brighter top but not much inprovement in air, and surprisingly a bit grainy and obscure in the mids).

I'm thinking my 1st step is upgrading the cartridge to either the Ortofon Blue, Shelter 201 of the new Audio Technica VM540ML; the replacement for the old AT400ML which was a bit too bright but otherwise highly musical and faithful in reproduction (I had one in my Music Hall MMF5.1) but there aren't any reviews of it to be found on the web or in hi-fi mags.

I am on a budget and before I start throwing hundreds of bucks around and burning months of experimentation on swapping out cables, outboard phono stages and cartridges I thought I'd throw this subject open to discussion to my brothers of the cloth who have the same high fidelity point of view as I.

Any recommendations or opinions are welcome. 


morbius2130aol
@mattmiller Stanton 881s MKII was a choice of Doug Sax (RIP) if you know who it is and if you don’t know look at Sheffield Lab studio gear. This is his master disc monitoring cartridge for years. Doug Sax did the greatest Direct Cut recordings of all time. This cartridge cost under $250 today (used) or even cheaper if you’re lucky to find one in the USA. I’m not gonna say it’s the best MM cartridge, because there are better Stanton cartridges out there like the signature SC-100 WOS or 981 series, but the Stanton is clearly better than 2M Red and the price for that Stanton is pretty low. Here is the article about 3 top carts used by the greatest mastering engineers from the golden age of vinyl, those carts are Technics 100c MK4, Audio-Technica AT-ML170 and Stanton 881s MKII.

I hope you’re not trying to say that modern Ortofon MM cartridges are better?
Unfortunately Ortofon M20FL SUPER is no longer available - that was a good one with Fine Line stylus.

Not sure how many cartridge have you tried, but i have tried many of them and still trying/looking for something that can surpass the vintage MM, but i can not find anything that comes even close to some of my favorite MM carts, they are all from the 80s, but i was born in the 70s and i have not tried those carts until now.

In my system i use at the moment: AT-ML180 OCC, Grace F-14 LC-OFC, Grace LEVEL II MR/MR and Stanton CS-100 WOS ... and many others... they are all superior to the 881 MKII for sure, but the price for those carts are 3-5 times as much and they are easily competes (on the right tonearms) with 3-4k MC cartridges.

BTW I owned Dynaudio Contour 1.1 (bookshelf) with powerfull Dynaudio SUB-300. Dynaudio is definitely not my type of sound! Sold them long time ago.

I find my nirvana with super high efficient (101db) Zu Audio Druid MKV full range speakers instead (no crossover). It’s completely different sound and that’s why the source (aka cartridge) is important for me. I also drive them with new tube amp, so i’m not the one who stick to the old gear, except for the cartridges and turntables.
Before you toss the cart, have you measured how much the high freq are rolled off?

what about adjusting the cart loading on the phono stage.....

you may want to consider the following.
1. get a disc with test tones on it,.
2. play the disc back on your current set up.
3. connect a volt meter to your phono pre amp output stage.
4. record the AC voltage produced at each test frequency.
 
Once you have that, then you can determine how rolled off it is or isn't.

BR
FOLLOW UP TO MY ORIGINAL POST of 1/26/18...

Hi there again.

After careful consideration of all your valued inputs I checked all the mechanical aspects of 'table and tonearm setup and bought a very slightly used Sumiko Blue Point #2, install and calibrated it, spun a couple dozen vinyl sides and noticed the following.

The Sumiko is dramatically smoother throughout the frequencies. The bloated bass of the Ortofon was gone, replaced by a much better defined and articulate bottom end that is rich in tone and timber. The hi-freq's opened up, and the missing air and spacial information became much more obvious. The midrange and voices are no longer highly prominent and are much more consistent with the entire musical spectrum. The musical presentation is better defined and voices are more natural and far less forceful. The image is deeper and instrument location is better defined.

While the Sumiko is not quite as dynamic and dramatic as the Ortofon but it is superior in it's obvious neutrality and overall fidelity. If I had to use a word to sum up, it is "graceful" by comparison.

For a hundred bucks, the Ortofon Red is a great value in it's price range. However, the Blue Point simply blows it away it with it's musicality. It's like comparing a pick-up truck to a Porsche.

Thanks again for all your input.
morbius
Post removed 
As someone who has sold a thousand carts and owned a hundred I agree
that old school was better . Best quality I’ve seen in present stuff is Nagoka and Goldring . Looking at later looks like Nagoka to me .

Just where do you buy these 881’s, and the ones I really loved, the Pickering 3000 and the Empire RD9 ?
Does any Grado fan have an opinion whether their present stuff is worse
than their old school ?