Are there other Artisan Fidelity TT owners aorund?


So after being an audio hobbyist since my uncle got me going down this demented path some 17 years ago I finally purchased a TT. I had flirted with the idea for a very long time but honestly I've heard a number of TT's at shows and at buddies homes and none of them moved me. Now obviously many many variables are involved. Lets start with, was their TT setup correctly (superlatively).., I don't know. Was the arm/cartridge combination simpatico.., again, I don't know. Was the phono preamp just so-so or great and if it was great was the cartridge loaded correctly.., you get my drift.

So with my digital down through the years easily besting (to my ears) the analog I'd been privy to, I found no reason to spend the money required to involve myself with analog. My former Bidat easily dispatched a SOTA Cosmos Vacuum TT in a head to head listening session. Ditto for my former Dynavox Dynastation.., same with my AMR DP777...etc.

At Axpona last year I listened to the $170K Clearaudio TT along with about $85K worth of Pass Amplification and perhaps $200K worth of JM Labs speaker and cabling only to be more moved by the sound from the Playback Design MPD-5 in the same room.

Finally I realized the only way I would ever find out for myself would be to purchase my OWN TT and make sure it was expertly setup and dialed-in. I had a rare chance to purchase a latest-revision-pristine example of a Graaf GM70 Phono Preamplifier. I have a soft spot for Graaf as Mr. Mariani simply builds the finest gear I have laid ears on. So now I have this phono pre sitting in the box for a few months when I see a SP 10 MK III come up for sale in Agon. So, I threw caution to the wind and contacted Chris at Artisan Fidelity; after some conversation I hung up having just commissioned the building of a SP10 MKIII Next Gen TT.

I was happy for about a month then the fear started to creep in, "what have I done?". What if this thing SUCKS!!!! and my digital system which is very very very good if I do say so myself stomps it!

During the build I researched and read tons of user reviews (I don't really pay attention to so-called pro reviewers) on arms and cartridges. I finally settled (with a lot of talking to Chris and other friends and a lot of late night web searching) on the Kuzma 4 Point and the Ortofon MC Anna.

So, here we are today and I have had my TT for a little over 3 weeks now and I have about 150 - 160 hours on the rig. Early on it sounded ok, you know.., good but nothing special. I liked it but my digital was fully up to the task and in some cases much better :) (now I'm scared)

Ok, so fast forward to 100 hours.., ok, I think I'm starting to understand all this analog hype :) better and better. now we are at 150 hours.., the word SUBLIME comes to mind. The spaciousness, openness and natural continuity of the analog is addictive. The dynamics seem to go on forever along with a naturalness that is very difficult to put into words. I did purchase the Furutech Demag, the Destat II, a scale..., all the toys to go along with it :) Again, I wanted to know for myself and the only way to do that was to take the plunge.

So how does my digital hold up? Well, my well run-in long time AMR DP777 has NOTHING to be ashamed of. It sounds great and I can easily go from the TT to the DP without too much shock (the AMR guys are big vinyl heads and use vinyl as a reference when designing) BUT... when I have two equally well recorded pieces of music (Best of Eva Cassidy comes to mind or Diana Krall Live in Paris 24/96 vs 180g/45) as good as my digital sounds the SP10MK III simply walks away. Again the digital is not trodden underfoot and indeed 20 seconds of the digital and you will be into it fully, but the analog rig beguiles with its effervescent ease and infinite continuity of musical flow.

Ok, so to end this long synopses.., I am now deeply into analog and have been going to local used record stores and burning up my cc on Music Direct and Acoustic Sounds...etc.

The folks at Artisan Fidelity are the real deal and they built me a museum quality +180 pound Porsche Basalt Black TT/piece of art that sounds AMAZING!!!!

I also ordered a Bassocontinuo Apogeo rack for the table which should arrive in about 2 weeks. I am enjoying my foray into the land of analog!!!

THANKS CHRIS!!!!!!!
audiofun
Downumder; I would humbly suggest you contact Chris. As he is building my NGS plinth and 401 TT, my platter was part of a package so I really don't know.
Hi guys. I'm just discovering this thread. I've been enjoying my Artisan Fidelity Garrard 301 Statement for about six months. I looked long and hard for a turntable that I believed would be the last and only table I would ever need. I spoke with Christopher for quite a while one night and made a decision I have not regretted. Mine is in piano black lacquer with an Ortofon transcription tonearm and two SPU cartridges.

For myself, I was getting back into vinyl after a decades long flirtation with CD/SACDs. I hadn't spent much time with vinyl until a friend invited me over to hear his complete Shindo system. While he has a beautiful Shindo 301 table himself, he said he'd get an Artisan Fidelity if he had to do it again. Wow, I was surprised to hear that and I took his recommendation to heart.

Rather than two tonearms, which I eschewed for esthetic reasons, I had AF make two separate armboards instead: one standard for the SPU G shell (and other standard cartridges), the other dedicated specifically for the SPU A shell. This is working out great for me, as I don't switch between them often. That was a neat solution they came up with for me.

I specified that I wanted to go with the Ortofon SPU series cartridges and was delighted to discover that AF is a certified Ortofon (among others, I sure) dealer.

I cannot praise enough Christopher's customer service. He has raised the bar for me in every way. I won't go in to details because it would not be my place to over-promise on his behalf. But I will emphatically state that he has never over-promised and under-delivered ... and the "promise" has been quite a high bar indeed.

My Garrard 301 Statement has exceeded my expectations in every way! First, the ease of designing and ordering in conjunction with Christopher's input and expertise to my wishes, specification and expectations. Second, the timely delivery of the table at my home. And third, of course, the playing of the unit in my home. It plays like a dream.

I'm not a guy to address a lot of technical questions like I see on this thread. But as a full-time musician and record lover, I just wanted to share my experience with Artisan Fidelity.

Every single aspect of the experience has far, far and away exceeded my expectation. Christopher and I had a laugh when I ordered mine the evening of our initial discussion. "Confucius says, 'Buy the best and cry once'," I remember saying. I've thrown a lot of money at also-ran products over the years and now I see the wisdom in buying the best and being satisfied forever. I say forever because at my age (mid-fifties), I cannot foresee ever contemplating another turntable. So when you contemplate your price to value, remember price is what you pay, value is what you get. Yes, they are expensive. But their value far exceeds the initial cost. Christopher -- if you happen to read this -- THANK YOU!!
Another AF owner here --- mine's a Garrard 401. Anyone know of an online owners' forum? This gathering is the nearest I've found.
I have the 301 Statement Mk 2.  Awesome!  I would love to be part of an owner's forum, but I haven't found one. I started another thread, because this one seemed a little stale, but it hasn't received much response either.

Ah, this thread brings back memories :) still loving my Technics Sp10 MK 3. I was playing it earlier today. I bought a (not yet delivered) technics SL1200 GAE to run as a dedicated mono table. 

I'm still planning to have my NG Table converted to a NGS. 

I've not once regretted my decision to purchase this table. It is the finest source I've yet to hear.

Glad you both are enjoying your new Garrards.