The Future of Recorded Music


http://slate.msn.com/id/2082157/

It's just 200,000 compressed songs now, and apparently only accessible to us Mac users (who deserve it, of course), but a Windows application, a bump in bandwidth that allows better quality downloads, and a steadily growing selection, and this could be the medium of the future. Once Microsoft steals the idea, of course.
bomarc
I suspect you "got it" all along. It's the thin edge of the wedge. I think it is fair to point to the wedge's existence and possible to do so without being a prescriptivist.

Unfortunately even open standards are not immune to muscle flex. Take the web, for example. IIRC, the various web mark-up specs are hammered out by the W3 via RFC's. Even so, these have to be implemented to mean anything in practice. Netscape, a great product in early iterations, like many others, was, as we all know now, doomed against the proverbial 800lb gorilla implementing -- or not implementing -- standards at will.

Along such lines, it is unlikely -- but also not impossible -- that one day, for all intents and purposes, viewing A'goN web pages, and other activities on the web will be only possible using de facto pay-per-view browsers. That -- and similar ways in which gatekeepers emerge exerting direct or coercive force on players old and new -- would be, candid[e]ly, considered the "best-of-all-possible-worlds" by some. It's not a vision to whose realisation, in whatever form, I will willingly contribute.
I saw this thread a few days ago; and thought that I should mention that anyone who is seriously interested in the future of the music industry should take the time to read the current issue of "Mix" - which is largely published for those in the recording end of the music business.
The current issue - which I received on thursday - has numerous articles devoted to various aspects of the music business - including equipment, studio operations, the major labels, broadcast radio, concert promotions, DVD-A and SACD formats, and lots more. Many of the aspects of the music business - particularly profitablity, recording contracts, independent labels, and more - which are rarely discussed in this forum are given a good airing.
If you want to get a much better "read" on what is happening in the music industry - other than what the audiophile rags mention - get a copy of "Mix" and get a few fresh perspectives.
Avideo - thanks for the reference.
Bomarc - sorry for hijack. I (actually) cheer for Apple inasmuch as it contributes to (real) diversity (not a semblance thereof).
Generally, I will go for the format(s) that public libraries choose, using that as a reasonable index of staying power - sort of like reading news at the end of the year rather than consuming spin minute-by-minute.