Reference DACS: An overall perspective


There has been many threads the last few months regarding the sonic signature of some of the highest regarded reference DACS (Dcs,Meitner,Ensemble,Audio Note,Zanden,Reimyo,Accustic Arts) here on the GON. I have been very fortunate to audtion many of these wonderful pieces in my home or friend's systems. I wanted to share, in a systematic way, my impressions/opinions with you GON members for a two reasons: 1)That my experiences might be helpful to fellow members interested in audtioning these DACS. 2)Starting an interesting discussion regarding the different "sonic flavors" of these reference digital front ends. I totally agree with the statement, "if you have not heard it you don't have an opinion". Therefore, I have no comments regarding DACS from Weiss,Goldmund,Audio Aero and Burmester because I have never had the pleasure of audtioning them. I would love to hear from members who have and share their experiences with us. My overall impression is that these DACS(Dcs,Meitner,Ensemble,Audio Note,Zanden,Reimyo,Accustic Arts) can be grouped into two molar categories regarding their overall sonic signature. By the way, all of them can throw a large/deep soundstage with excellent layering in the acoustic space with "air" around individual players on that stage. However, than they start to part company into two major categories. Category #1) These DACS "flavors" revolve around pristine clarity, fine sharp details,speed,very extended top/bottom frequencies,and great PRAT. These DACS never sound "etched" or "in your face" but are more "upfront" then "layed back" in their presentation. The DACS, to my ear's, that go into this bracket are Dcs,Ensemble,Meitner. My personnal favorite in this group is the Ensemble, which I owned for two years. These DACS remind me of the sonic signature of speakers such as Wilson,Thiel,Dynaudio, Focal/JM Labs. Category #2) These DACS "flavors" revolve around a "musical/organic" sense, natural timbres,and an easy flowing liquidity. Their "less forward" presentation my give the impression of less detail, but I think in this case its an illusion fostered by their more relaxed/organic manner. The DACS, to my ear's, that go into this bracket are Audio Note,Zanden,Reimyo,Accustic Arts. I did find that the tube DACS did not have the top/bottom frequency extenstion and PRAT of the SS DACS in this bracket. For me, the Accustic Arts DAC1-MK3 gave me the best of both categories, therefore it is now the resident DAC in my system. These DACS remind me of the sonic signature of speakers such as Magnepan,Von Schweikert,Sonus Faber. Well, it's all just my opinion regarding these digital pieces, but I hope this post was at least informative/somewhat interesting and would lend itself to other GON members sharing their impressions, not about what DAC is the "BEST" in the world, but your personnal taste and synergy with your system.
teajay
If Pubul57, had not beat me to the punch, I was going to add to this thread way I still find the Accustic Arts Tube DAC to be a keeper in my system.

I have spent a considerable amount of time listening/auditioning the following new crop of either DACS or CD players: 1) Berkeley Alpha DAC 2) Weiss Medea DAC 3) PS Audio Perfact Wave combo 4) Meridian 808i2 5) DCS Puccini 5) EMM reference player

All of the above were used for red book, I don't care about SACD or other high rev formats, and I did not find any of them to be better to my ears then the AA Tube DAC. They are all quite good and offer different sonic signatures, my favorite among them was the Weiss and Berkeley, I would put them in the type one sonic category, and was surprized at the performance of the Meridian 808i2, it just was ok, yet John Atkinson of Stereophile thiks its the best on redbook he has ever heard. But then at the end of the sonic day, I did not find any of them surpassing the musicality or over all performance of the AA Tube DAC in my system.
The Playback Designs DAC or player should be added to the list.

In the computer audio world, there are some who proclaim the very reasonably priced pro unit from Metric Halo, the ULN-8, to be very special.
I own a Playback Designs MPS-5 and second your suggestion. It is a remarkable piece of equipment. If there is any shortcoming,it is minor at most and that is the lack of firewire inputs although every other possible input is present