Which speaker is best with Naim


I have a Naim AV2 pre-pro and a (gain-matched) Naim Nait5i as my electronics and I'm totally sold on them. I'm also ninety percent sold on my Linn Ninkas, which have great agility and can handle jazz as well as a big movie soundtrack. The one thing they could do better is soundstage.

Recently I started asking around about speakers under $2k (new or used) that were good at soundstage, and I got many impressive recommendations, but most of them were tricky loads and wouldn't sound good with my scrappy little Nait. Nevertheless, I seem to have winnowed the field down to a set of five or six finalists to try up against my Ninkas (some of which *are* tricky loads, anyway), and so now I'm looking for the best prospective match with my Naim gear.

The nominees are:

Reference 3A De Capo
Salk Song Tower
Joseph Audio RM7si-mkII or RM-22si
Something by Totem
Something by Meadowlark

...a dark horse is the Audio Physic Virgo-II's, which come very highly recommended, but I am not impressed with the highs from the Spark-IIII's, which makes me gun-shy about getting another pair of A-P's.

The musical range begins with Jazz and stays there for a long time, but the winning speakers should also be able to rock from time to time and will remain part of an eventual 5.1 HT system.

My front end is an Arcam FMJ-CD23, the interconnects are Belden 95259 coax with Cardas plugs, made by Blue Jeans, the speaker wire is cross-connected coaxial made by Element, the room is 8 feet across by 15-6 long, poured concrete and cindar block. The available footprint for each speaker is no bigger than the Ninkas, about seven inches across by twelve or fourteen inches deep.

Any reactions are greatly appreciated.
dog_or_man
A little secret about the Audio Physic offerings is the Spark III's you heard were not designed by Joachim Gerhard. I own the Original Spark (small room HT) and now the Tempo II's, both are pre 2000 production. My ears have never liked the ring radiator tweets in the new AP speakers. They sound a little dark for lack of a better word, compared to the Gerhard designs. I know aluminum is a bad word around here, but I don't hear the ringing that others seem to mention here about these designs. I've recently read somewhere that Gerhard himself has worked with SEAS longer than most of their employees. Interesting stuff. Cant speak for the Naim gear, but have had great results with all tube integrateds. Good luck!
I used to bleed olive and be in the Naim cult. Loved the stuff. My faves after having owned the Mystiques and Petites (latest versions) were-- the Critiques. I loved that little standmount something fierce and i was a moron to have sold them. I still surf audiogon for a pair regularly.
Something about that midrange and the way the bass just 'locked' with my room-- it was truly special.
Even compared with my favorite Totem model ones-- the baby neats were faster and easier to drive and even almost out-imaged them!!! Scary!
I am sorry-- but i could not stomach for a moment the petite's ribbon tweeter-- it killed me.
I will quote one of the dealers I brought them too for a comparison with linn katans--
"Well David-- of all of the speakers I have heard-- this is certainly (dramatic pause).... one of them."
I've had a flood of responses about my terrible room -- and how I should fix that before I drop a bunch of dough on speakers. So, here's the thing: a fellow audiogon member has a set of four bass traps, sixteen inches in diameter by forty-eight inches tall, for which he wants 580 total. He says he built them to Jon Risch specifications, and that they'd cost 640 each if you bought them new. What does everyone think?