2. amps-preamps
  3. 1014962180

Which direction would you go?

I have spent the last ten years living with a system that is to my ears unlistenable. I was sucked in by the stereophile recommended components list, and bought based on cost and ratings, rather than common sense and proper auditions. I ended up with the following: B&W 802 Matrix II's, a Threshold S350e amp, a Krell KBL preamp, and a front end comprised of a Theta pro Gen II and Data Mk II. As you might well imagine, I have endured bright, harsh sound in three different homes over the years. I tried room tunes (any buyers?) all manner of cables (I presently own Cardas Cross bi-wire) a CJ premier 10 pre-amp (not enough of a difference to justify the switch) and Cal audio front end. In frustration, I have sold the Krell, and the Threshold, and have active listings for the B&W and Cardas, and plans to sell the Theta as soon as possible. I listen mostly to small scale instrumental and female vocals from various genres. I enjoy Linda Ronstadt, Sara K, Rickie Lee Jones, Allison Krauss, Annie Lennox, Dixie Chicks, Etta James, Karen Carpenter, Joe Sample, Miles, Ronnie Earl, Govi, Willie and Lobo, Lyle Lovett, James Taylor, and so much more. I have front row center seats for the NY Philharmonic for the last fifteen years and have seen more concerts than I could name. I was set on the idea of downsizing to a home theater setup, Integra receiver and DVD/CD with Definitive Technology pro 100 speaker system or maybe the NHT Super Series SB3. They seem to have OK sound on both music and movies, but I wonder if the trade-off is too great since 98% of the time I will be listening to music with only an occasional music video or movie. I am quite certain I have never heard my B&W's perform the way they should, but am not certain I wish to invest more money chasing the Holy Grail. (Also tried Bryston 4B). I have reviewed threads here and contemplated trying the Classe gear. I have also thought about selling the B&W's and buying a speaker with a silk dome tweeter or a propensity toward warmth. (Mission, Soliloquy, JM Labs, Vandersteen) My room is a LIVING room and dining room L shape, (20 x13 living attached to 14 x12 dining) and it is lively with 11' acoustical ceiling. In any event, I would like to avail myself of the multi-channel options while focusing on two channel performance. I keep my speakers on the long wall and listen near-field. I do not believe electrostats are an option for me due to size, placement, and WAF issues. Please let me know your thoughts, and be gentle as this is my first post here on Agon.
mike7142
darkmoebius
900 posts
 
Dump the B&W's.

It's obvious their metal tweeters are not your cup of tea(nor mine, I had B&W's). From the description of your musical tastes - acoustic, folk, and soft rock, a speaker with silk dome tweeters would be much more to your liking since you seem to prefer overall musicality and tonality of an analytical style.

I suggest that you look into Jean Marie Reynaud speakers, especially the Trente' and Offrande. All of Reynaud's speakers are amazingly musical and immerse you in the emotion of the performance. While normally this implies a romantic speaker that colors the sound, but this isn't true with JMR's. They are highly detailed and dynamic with a rich texture and tonality. Vocals, piano, cello, standup bass, etc. are so realistic that it is breathtaking.

And Reynaud speakers are extremely easy to position, while still throwing a wide and deep soundstage. The mate well with almost all electronics and tubes.

If you are looking to maximize your buying power, go used. The three or five thousand you have to spend will get you $8-10,000 worth of equipment if you take your time.
danvetc
527 posts
 
Mike, it really comes down to your speakers and the reflectivity of the listening room environment. Please do yourself a favor and research the Harbeth line. They are a perfect match for your listening tastes, which is similar to mine. I, like Paul, have the Compact 7ES-II, and I am confident you will be very happy for a long time. (About $2500US.) If you truly listen in near-field, the room is of less importance. But, you should do what you can, within WAF, to deal with the primary reflections. Good luck to you. Charlie
trich7273e2c
1 posts
 
Wow, I have to say this is the first time in my life I've ever heard someone call Threshold bright. I started with the S300 and FET2, upgraded to a FET 1 running through B&W 802s for years. Then had Threshold do the E update to both amp and preamp (with E power supply), and finally I ended up with a FET10E & 10PC. I've loved them all and each upgrade just got better and better. However I did audition the Matrix version of the 802, and even as a tried and true 802 lover, I didn't like the Matrix. I held off and I'm really glad I did as the N802s are killer. This will be the heart of my system for years to come, no reason to change any of these components. As far as brightness? None in my listening room and that is the one thing that will send me running. I think maybe you should look at what you are putting through that Threshold amp as that is what it is going to amplify quite faithfully, and even though I prefer the N to the M 802, I don't think that's your problem either. I would also NOT advise putting the 802s against the wall, use the rule of thirds. Tom
sean
6,231 posts
 
Tom, the Threshold preamps are VERY revealing up top and are construed by many to sound "bright". As to their amps, many of the earlier designs are extremely "load sensitive". By this i mean that they can change tonal characteristics when presented with various impedances and amounts of reactance. As such, the amps can sound different ways to different people using different speakers & cables. This has been well documented even though i myself initially overlooked it. Sean
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viggen
838 posts
 
Hey Mike,

I didn't read all the posts, so forgive me if I am repeating something.

As of last year, I had unforgiving glare in my system too. At first I thought my stereo's room size is too small, and there was this god awful mirrored sliding closet door. I've moved to two different places since, and each one is bigger and better acoustically.

Ok, this might be something obvious to you, but here is how I cured my system's glare problem. I paid attention to the AC that my components were feeding on. Did you ever try isolating your ac by using an dedicated outlet? How about trying ac filters like Grey or PS Audio? Powercords?

At first, I got LAT International powercords. This greatly diminished the ear piercing glare. But not completely.

Recently, I gave Virtual Dynamics a call. I got a few of their powercables. They made my new day time listening sounding like my old night time listening, and my new night time listening to almost no-glare musical enjoyment. I am explaining the day-night difference assuming you've noticed your system sounding more musical at night than during the day.

Anyhow, I feel your system with the Threshold and B&W is a good match, however, they will reveal lots of glare if your ac is distorted. Oh, I have a Nakamichi preamp Ca7a that works fantastic with a Mapleshade powercord. The old Nak separates uses Nelson Pass designs. So maybe you should try a Mapleshade on your Threshold.
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