@tooblue I'd agree as far as anything pre 90s goes. Just as the studios started getting the hang of transferring analogue to digital transfers some smart person realised they could employ digital compression to make CD sound 'louder'. Bang went dynamics and in came the 'loudness wars'.
I have learned to live with digital but it is a shame to see a great technology abused by the demands of the market in this fashion.
I still believe it could be great in the hands of an artistically free mastering engineer...
As of 2018 I believe that no digital versions of the following albums match their original vinyl predecessors. Even the so-called prestige original Master tape remastering are regularly compromised.
All of the Beatles albums
All of Elvis Presley
All of the Stones
All Hendrix
All Sex Pistols
Most of the Kinks
All of the Smiths
The Pogues first two
Astral Weeks
Kind of Blue
etc etc
I have learned to live with digital but it is a shame to see a great technology abused by the demands of the market in this fashion.
I still believe it could be great in the hands of an artistically free mastering engineer...
As of 2018 I believe that no digital versions of the following albums match their original vinyl predecessors. Even the so-called prestige original Master tape remastering are regularly compromised.
All of the Beatles albums
All of Elvis Presley
All of the Stones
All Hendrix
All Sex Pistols
Most of the Kinks
All of the Smiths
The Pogues first two
Astral Weeks
Kind of Blue
etc etc