Vienna Mozart or Dali Helicon 400 with YBA


Dear Sir;

My system consists of: YBA Integre DT, Music Hall CD25.2 and a pair of old Kef floor standing speakers, Kimber PBJ IC, room size is about 3m x 9m (10ft x 30ft)

I am in the process of upgrading my speakers to either Vienna Mozart Grand or Dali Helicon 400. I have demoed Vienna Mozart and was very pleased by their warm detailed sound. My listening preferences are alomst exclusively to clasical piano music and some female voices/opera, but once in the blue moon, I listened to Kraftwerk, Hotel Costes, etc. I am looking for very detailed but not 'digital sound' (hence YBA). Also, it's nice to have some reasonable emphasis on bass but I don't listen to heavy metal or rock so it is optional. Most important timbre are: grand piano sound, female voice, violin, cello, and some Kraftwerk-like-electric-sound.

In any event, how do you describe Dali speakers vis-a-vis Vienna? I read some review on Dali and many said they have a prominent bass. But I haven't heard of a single comment on Dali's treble and mid-range (while Vienna seems to have very nice treble and mid).

Any comment is welcome.
Thank you,
ipous
Seems like Triangle speakers would kill any "YBA magic" you are refering to. When I heard a pair of Celius ESW last week, they sounded clean and open but they also seemed too dry and thin and lacked depth. A little too "hifi" for my tastes.
My VA Bach Grands are excellent for vocals, horns, and piano. Great richness and timbre with detail also. Great recordings sound lifelike and not-so-great ones sound good too as the Bachs are a somewhat forgiving speaker. The only issue is if you want to get loud, which it sounds like you don't do very often. They are not a 'beefy' speaker. I also liked the Mozarts but the Bachs just sound more emotive to me.
Rotarius;

Thanks for your input. Yeah, that's the first thing I was concerned about Triangle speakers. The reason why I am upgrading my Kef speakers is that, though they are very efficient, they are a little too 'dry' and 'light' to my taste. That's why a little dark (but super detailed) Vienna Mozart (or Bach) might be a good pair with YBA Integre DT. I like Wagner and I listen to his opera very frequently but I don't like to hear too 'dry', 'thin' and 'light' Wagner... I am almost certain now that my next pay check will go towards Vienna Mozart Grand or Bach Grand (if I find Beethoven Grand with a reasonable price, that's cool, too).
Kats;

Thank you also for your input. Yeah, I checked one of our members by the name of Defstathiou's system under 'virtual system', and he (I am assuming he is male) uses Vienna Bach with YBA Passion, and he thinks they are a fantastic pair (I admire his good taste in equipment selection except, mind you, the ugly boob box inbetween his beautiful hi-fi system...but that's another story, heh).

I hardly listen to music loud but once in a while I listen to Opera and Symphonie louder than my other piano repatoir(but since I live in an apartment in NYC, I just cannot be that 'loud':(

But mostly I like low volume and YBA is quite good at it! Seems like many amps, I mean too many amps, are not able to live up to their full potentials when the volume is very low, but it seems that YBA is able to create very charming and intimate environment even if the volume is low. I was listening to some female voice very low last night and she sounded very 'lifelike' - as if she were there! I suspect not many amps are able to do this.

About three years ago, I had audio refinement complete and was very satisfied with their, shall I say, 'psudo-YBA' sound. In fact, I still think I won't find better int amp for that price (I got it for $500 used). The musicality of the Complete is top of the line except it lacks in detail/speed and succinct bass sound you find in YBA (hence 'psudo-YBA'). But given a chance, I will set up my 2nd system with complete.

But Katz, what equipment do you use besides Bach?
Best,
Ipous, let me clarify, I think the Triangles are a good value at their price points, just not my cup of tea. Since you mentioned Wagner, I think they would be fine for something like chamber music, I don't think they conveyed the full scale of an orchestra when I auditioned them. I believe Dalis or Viennas would partner well with YBA. Have you considered the Vandersteen 3A sigs?